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Critical Mass

Social Documentary in France from the Silent Era to the New Wave

Steven Ungar author

Format:Paperback

Publisher:University of Minnesota Press

Published:21st Aug '18

Should be back in stock very soon

Critical Mass cover

Thirty-five years of nonfiction films offer a unique lens on twentieth-century French social issues


Critical Mass is the first sustained study to trace the origins of social documentary filmmaking in France back to the late 1920s. Steven Ungar argues that socially engaged nonfiction cinema produced in France between 1945 and 1963 can be seen as a delayed response to what filmmaker Jean Vigo referred to in 1930 as a social cinema whose documented point of view would open the eyes of spectators to provocative subjects of the moment.

Ungar identifies Vigo’s manifesto, his 1930 short À propos de Nice, and late silent-era films by Georges Lacombe, Boris Kaufman, André Sauvage, and Marcel Carné as antecedents of postwar documentaries by Eli Lotar, René Vautier, Alain Resnais, Chris Marker, and Jean Rouch, associated with critiques of colonialism and modernization in Fourth and early Fifth Republic France. 

Close readings of individual films alternate with transitions to address transnational practices as well as state- and industry-wide reforms between 1935 and 1960. Critical Mass is an indispensable complement to studies of nonfiction film in France, from Georges Lacombe’s La Zone (1928) to Chris Marker’s Le Joli Mai (1963). 

"Brimming with as many fruitful insights as remarkable discoveries, Critical Mass amounts to a Declaration of Social Purpose for early French documentary film. Steven Ungar yokes the daring-do of the avant-garde to the political goals of the left over the course of some forty years of filmmaking. It is a triumph of critical analysis."—Bill Nichols, author of Introduction to Documentary, Third Edition

"A powerhouse crowning the career of a distinguished scholar of twentieth-century studies, Critical Mass will be an enduring point of reference for the history of both documentary cinema in France and of the genre tout court. Wide-ranging, meticulously researched, and incisive, Steven Ungar’s readings recover the contexts that shape documentary style, form, and process. Had André Breton read Critical Mass, he would have concluded, rightly, that cinema will be documentary or it will not be."—Tom Conley, Harvard University

ISBN: 9780816689217

Dimensions: 254mm x 178mm x 38mm

Weight: unknown

344 pages