Black Magic
White Hollywood and African American Culture
Format:Paperback
Publisher:Rutgers University Press
Published:30th Mar '04
Currently unavailable, and unfortunately no date known when it will be back
This insightful book examines the troubling portrayal of African Americans in film, revealing patterns of racial representation and cultural dependence, particularly in Black Magic.
In Black Magic, Krin Gabbard delves into the complex relationship between African American culture and its representation in film. While the contributions of African Americans to literature, music, and art are widely acknowledged, Gabbard highlights a troubling trend regarding the roles assigned to black characters in movies. He poses critical questions about the portrayal of African Americans, particularly the frequent depiction of magical powers that are often used to assist white characters. This dynamic raises important discussions about racial representation and the underlying narratives that persist in contemporary cinema.
Gabbard examines various films, including notable titles such as The Matrix, Fargo, and The Green Mile, to illustrate how these works both celebrate and exploit black culture while maintaining traditional racial hierarchies. The author points out that the presence of African American music and themes in these films often goes unrecognized, creating a paradox where black culture is simultaneously revered and marginalized. This analysis reveals a pervasive yet hidden dependence on African American cultural elements in mainstream cinema.
In the concluding chapters of Black Magic, Gabbard shifts focus to filmmakers like Robert Altman and Spike Lee, who strive to challenge and subvert these entrenched patterns. By exploring their works, Gabbard offers a hopeful perspective on how cinema can evolve to better reflect the complexities of race and culture, ultimately advocating for a more equitable representation of African Americans in film.
Gabbard's book is a joy to read, a really fine, original piece of work. He detects a significant pattern in contemporary American cinema, and with great critical insight and clear explanations, he traces its themes and variations. -- Michael Jarrett * author of Sound Tracks: A Musical ABC *
This is a clearly written, well-argued book . . . both readable and intellectually rigorous. The author's case that white appropriation of African American culture has shifted from obvious and literal forms to the disembodiment of black expressions is astutely demonstrated by his exploration of the intersection of jazz and the narratives of popular commercial films.Ed Guerrero, Cinema Studies, New York University -- Ed Guerrero * Cinema Studies, New York University *
"Gabbard's rcih book reveals that cultural critics have only begun to fathom the sublime and the ridiculous extent of racial appropriations of black culture in white American films. As this book shows, it is both 'magical' and appalling.Linda Williams, author of Playing the Race Card:Melodramas of Black and White from Uncle Tom to O.J. Simpson -- Linda Williams * author of Playing the Race Card:Melodramas of Black and White from Uncle Tom to O.J. Simpson *
ISBN: 9780813533841
Dimensions: 229mm x 152mm x 20mm
Weight: 567g
344 pages