Printing the Middle Ages

Sian Echard author

Format:Hardback

Publisher:University of Pennsylvania Press

Published:3rd Sep '08

Currently unavailable, and unfortunately no date known when it will be back

Printing the Middle Ages cover

Printing the Middle Ages focuses on the life of medieval texts after the Middle Ages, tracing the impact of the books that transmitted medieval literature to the English-speaking world, showing how these books imitated and refashioned the medieval past for later audiences.

In Printing the Middle Ages Siân Echard looks to the postmedieval, postmanuscript lives of medieval texts, seeking to understand the lasting impact on both the popular and the scholarly imaginations of the physical objects that transmitted the Middle Ages to the English-speaking world. Beneath and behind the foundational works of recovery that established the canon of medieval literature, she argues, was a vast terrain of books, scholarly or popular, grubby or beautiful, widely disseminated or privately printed. By turning to these, we are able to chart the differing reception histories of the literary texts of the British Middle Ages. For Echard, any reading of a medieval text, whether past or present, amateur or academic, floats on the surface of a complex sea of expectations and desires made up of the books that mediate those readings.
Each chapter of Printing the Middle Ages focuses on a central textual object and tells its story in order to reveal the history of its reception and transmission. Moving from the first age of print into the early twenty-first century, Echard examines the special fonts created in the Elizabethan period to reproduce Old English, the hand-drawn facsimiles of the nineteenth century, and today's experiments with the digital reproduction of medieval objects; she explores the illustrations in eighteenth-century versions of Guy of Warwick and Bevis of Hampton; she discusses nineteenth-century children's versions of the Canterbury Tales and the aristocratic transmission history of John Gower's Confessio Amantis; and she touches on fine press printings of Dante, Froissart, and Langland.

"Sian Echard is recognized as one of the leading figures in the study of the transition of medieval authors into print. This book is a well-informed, scholarly, and timely contribution to the current interest in the history of the book."-Helen Cooper, Cambridge University

  • Winner of Winner of the 2009 Margaret Wade Labarge Prize from the Canadian Society of Medievalists 2021

ISBN: 9780812240917

Dimensions: unknown

Weight: unknown

336 pages