promised instruments

Taking its cue from Toni Morrison’s declaration that“language alone protects us from the scariness of things with no names,”Kristiana Rae Colon’s promised instruments stitches its own definitions for what is granted, what is surrendered, what is pilfered, and what is reclaimed. Her poems plumb the problem of women’s mental health, their sexuality and gender identity, and their ability to make choices about sexual activity. With piercing musicality and disarming vulnerability, promised instruments invites its readers to interrogate their own complicity in these issues and to share in the healing process.