Prosthesis
Exploring the intersection of art and mechanical enhancement
Format:Hardback
Publisher:Stanford University Press
Published:1st Sep '95
Currently unavailable, and unfortunately no date known when it will be back
This exploration of artificiality in the body highlights the interplay between art and mechanical prosthetics, as seen in Prosthesis.
In Prosthesis, the author embarks on a critical exploration of the body as an 'artificial' construct, delving into the complexities of what it means to be human in a world increasingly influenced by technology. The work examines the intersection of art and mechanics, particularly focusing on items such as mechanical prostheses, and how they challenge traditional humanistic views. Through this lens, the text raises profound questions about identity, existence, and the nature of art itself.
The narrative weaves together analysis and performance, inviting readers to consider how artificial enhancements alter our perception of the body and its capabilities. By positioning the mechanical within the realm of artistic discourse, Prosthesis challenges preconceived notions of authenticity and the organic. It encourages a rethinking of the boundaries between human and machine, revealing the potential for art to transform our understanding of bodily experiences.
As a classic from Stanford University Press, this book stands out for its innovative approach to critical writing. It not only addresses theoretical questions but also engages with the practical implications of prosthetics in contemporary society. Through its thought-provoking content, Prosthesis serves as a vital resource for those interested in the evolving relationship between art, technology, and the human experience.
“Most critical efforts look not only humble and constrained beside this magnificent book, but also simply dull—dull in the sense that they have not realized (realized in the sense of ‘understood’ but also in the sense of ‘actualized’) the implication of the epistemological revolution that is casually referred to as the coming of ‘theory.’”—Ross Chambers, University of Michigan
ISBN: 9780804724593
Dimensions: unknown
Weight: unknown
364 pages