Dolce's 'Aretino' and Venetian Art Theory of the Cinquecento

This book explores a 1557 dialogue on art between Aretino and Fabrini, discussing notable artists and their influence on Venetian art theory.

Originally published in Venice in 1557, Dolce's 'Aretino' and Venetian Art Theory of the Cinquecento presents a compelling dialogue between two Venetians, Aretino and Fabrini. This three-part discussion delves into the merits of various artists and their works, spotlighting renowned figures such as Michelangelo, Raphael, and Donatello. The dialogue format not only engages readers but also provides insights into the aesthetic values of the time.

The text is heavily influenced by the letters of Aretino, making it a significant piece of early art criticism. It examines how art was perceived and judged in the context of classical sources, particularly Aristotle, as well as contributions from contemporary writers like Vasari. This exploration reveals the cultural and intellectual environment of the Cinquecento, highlighting the interplay between art and philosophy.

Presented in the original Italian alongside an English translation, Dolce's 'Aretino' and Venetian Art Theory of the Cinquecento serves both as a historical document and a critical study. It invites readers to reflect on the evolution of art criticism and the standards of beauty that were shaped by the rich tapestry of Renaissance thought.