AngloModern
Painting and Modernity in Britain and the United States
Format:Paperback
Publisher:Cornell University Press
Published:4th Mar '03
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- Hardback£108.00(9780801439230)
Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.
The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.
Janet Wolff's lucid book, like many a post-modern cultural critique, aims to deconstruct rigid hegemonies or as the author puts it, 'narratives of fixity.'... AngloModern effectively exposes some problematic aspects of the prevailing modernist discoures.
* Times Literary SupplemeISBN: 9780801487422
Dimensions: 229mm x 152mm x 14mm
Weight: 454g
192 pages