The Land of Heart's Desire

From reviews of The Cornell Yeats series:

"For students of Yeats the whole series is bound to become an essential reference source and a stimulus to important critical re-readings of Yeats's major works. In a wider context, the series will also provide an extraordinary and perhaps unique insight into the creative process of a great artists."—Irish Literary Supplement

"I consider the Cornell Yeats one of the most important scholarly projects of our time."—A. Walton Litz, Princeton University, coeditor of The Collected Poems of William Carols Williams and Personae: The Shorter Poems of Ezra Pound

"The most ambitious of the many important projects in current studies of Yeats and perhaps of modern poetry generally.... The list of both general and series editors, as well as prospective preparers of individual volumes, reads like a Who's Who of Yeats textual studies in North America. Further, the project carries the blessing of Yeats's heirs and bespeaks an ongoing commitment from a major university press.... The series will inevitably engender critical studies based on a more solid footing than those of any other modern poet.... Its volumes will be consulted long after gyres of currently fashionable theory have run on."—Yeats Annual (1983)

The Land of Heart's Desire, staged at the Avenue Theatre in London in 1894, marks W. B. Yeats's first use of Irish folklore in a play produced in the commercial theater, with important consequences for his career as a dramatist. This book includes transcriptions and photographs of the surviving holograph manuscripts of the play, reproductions of Yeats's own notes and revisions, and other materials related to stage productions and the resulting changes he made to the text.

After Maud Gonne refused his offer of marriage in the summer of 1893, Yeats coped with his disappointment by burying himself in work. He composed a number of poems based on Irish folklore that would not see publication until 1899 and took steps to shape a literary renaissance in Ireland. In many of the pieces he wrote at this time, he developed the idea, sustained and refined throughout his life, that folklore was the foundation of a living mythology.