The Music of Counterculture Cinema
A Critical Study of 1960s and 1970s Soundtracks
Mathew J Bartkowiak author Yuya Kiuchi author
Format:Paperback
Publisher:McFarland & Co Inc
Published:29th Jun '15
Currently unavailable, and unfortunately no date known when it will be back
Films produced in late 1960s and early 1970s America--along with later films focusing on that period--continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the utopian Monterey Pop (1968) to the disenchantment of Gimme Shelter (1970). But the musical side of the movement was not monolithic, and a study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation are well documented in the music of counterculture cinema.
“Bartkowiak and Kiuchi have written a smart examination of the intersection of two key popular cultural genres. Recommended”—Choice
“recommended”—Journal of American Culture
“Wilson is a trusted guide with an obvious passion (and knowledge of) the subject…no stone is unturned…The detail here is pretty extraordinary, with fascinating asides and valuable insights from working film composers, including Oscar winners Howard Shore and Alexander Desplat…His vivid descriptions of what the music sounds like and how it makes him feel really inspired me to go and revisit (or discover) the scores he discusses.”—Music Magazine.
ISBN: 9780786475421
Dimensions: 229mm x 152mm x 11mm
Weight: 295g
216 pages