Pervert in the Pulpit

This book explores David Lynch's films, revealing his complex relationship with American values and moral critique through his unique storytelling style.

In Pervert in the Pulpit, filmmaker David Lynch's oeuvre is examined through the lens of patriotism and Puritanism. The author presents Lynch as an idealistic conservative on a mission for reform, advocating for a return to the values found in a mythological America. However, this exploration reveals a complex duality; Lynch indulges in voyeuristic pleasures even as he condemns them. This paradox is illustrated through the viewer's experience, reminiscent of Jeffrey peeking through the slats of Dorothy's closet in Blue Velvet. The audience is portrayed as a rationalist, caught in a web of intrigue and repulsion, fascinated yet judgmental, yearning for cultural assimilation while simultaneously resisting it.

The book encompasses an analysis of Lynch's complete filmography, including notable works from Eraserhead to Mulholland Drive, alongside his short films like The Amputee and The Grandmother. It also delves into his contributions to television, such as Hotel Room and Twin Peaks. This comprehensive study aims to develop a nuanced understanding of Lynch's political stance, dissecting the disturbing images and concepts he employs to critique an immoral world.

Additionally, Pervert in the Pulpit provides a historical context of moralistic criticism in American literature, alongside a review of existing critiques of Lynch's work. The text highlights recurring themes in Lynch's narratives, including the identifiable figure of evil and archetypes such as the nymphet and the struggling ethicist, ultimately portraying a rich tapestry of moral inquiry in his artistic vision.