Art, Piety and Destruction in the Christian West, 1500–1700

This work explores the influence of religious tensions on art, design, and architecture from 1500 to 1700, examining both renowned and lesser-known pieces across various media and regions.

Art, Piety and Destruction in the Christian West, 1500–1700 explores the profound influence of religious tensions on the artistic landscape of the early modern world. This comprehensive study spans two centuries and two continents, focusing on how these tensions shaped not only well-known masterpieces, such as Kraft's Eucharistic Tabernacle, but also lesser-known artifacts like church plate, vestments, stained glass, graffiti, and Mexican depictions of St. Anne. By examining a diverse range of artworks, the book highlights the intricate relationship between faith and artistic expression during a time of significant upheaval.

The contributors to this volume present an array of religious artworks from various regions, including Germany, England, Italy, France, Spain, and Mexico. The media explored encompass sculpture, oil painting, fresco, metalwork, clothing, and architecture, providing a rich tapestry of artistic endeavors influenced by the prevailing religious sentiments. The authors delve into the themes of art's destruction, preservation, and censorship, set against the backdrop of ongoing religious conflict and fluctuating levels of tolerance within society.

Through new insights and original perspectives, Art, Piety and Destruction reveals how art serves as a reflection of historical contexts and societal values. The book emphasizes the ways in which the images created during this period not only represent the faith of their creators but also mirror the complexities of the world in which they were produced. Ultimately, it underscores the enduring connection between art and the shifting dynamics of belief and identity in the Christian West.