Constructing Musicology

A critical approach to contemporary music studies

Alastair Williams author

Format:Paperback

Publisher:Taylor & Francis Ltd

Published:20th Nov '01

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Constructing Musicology cover

This insightful work explores the intersection of theory and musicology, addressing critical issues and diverse musical repertoires in Constructing Musicology.

In Constructing Musicology, Alastair Williams delves into the evolving field of musicology, highlighting the importance of critical theory in understanding contemporary music. The book presents a comprehensive analysis of how musicology has traditionally approached the study of music and the potential for a paradigm shift in the discipline. Williams argues that a theoretically informed musicology is essential for addressing the complexities of various musical repertoires, including the Western canon, popular music, folk traditions, and the contributions of women in music.

The first chapter sets the stage by revisiting traditional musicology through the lens of Joseph Kerman's advocacy for a transition from mere fact-finding to deeper critical interpretation. Williams also engages with notable critiques from thinkers like Adorno and Dahlhaus, emphasizing the need to scrutinize the bourgeois tradition. As the narrative unfolds, the book explores the impact of poststructuralism and the significance of new repertoires, particularly in relation to gender and identity in music.

Subsequent chapters examine the representation of non-European cultures within European music and the implications for ethnomusicology. By the end of the book, Williams argues for the necessity of recognizing modernity's critical resources in musicology. Overall, Constructing Musicology serves as both a reflection on the current state of musicology and a call to action for scholars to embrace a more critical and inclusive approach to the study of music.

'Alastair Williams' Constructing Musicology provides a useful conspectus of salient trends in the discipline over the last half-century or so.... an intelligent short guide to the discipline...' BBC Music Magazine ’Williams’s book is both broad and deep, covering a wealth of critical approaches to a diversity of classical, popular, and non-Western musics. Unfailingly clear, accurate, and fairminded in its mix of summary and critique, Constructing Musicology conveys the reasons why theory has become so fundamental to current musical scholarship, while at the same time conveying the sense of challenge and excitement that theory, when well used, can create. This book is at once a gift to students and an important work of scholarship that helps advance the new construction it describes.’ Lawrence Kramer, Fordham University, USA. ’The 1990s were a time of rapid change in musicology, prompted largely by a dizzying array of influences from different strands of critical, literary, and inter-disciplinary theory. In this concise book Alastair Williams separates, orders, and explains the principal intellectual currents involved, charting their influence across a range of musicological subdisciplines. To those coming for the first time to contemporary musicology, the result is an accurate and up-to-date road map, a kind of Rough Guide to a changing discipline; others will recognize familiar theoretical landmarks but gain a new sense of how they link up with one another. Constructing Musicology is a one-stop shop for contemporary thinking in and around musicology.’ Professor Nicholas Cook, University of Southampton, UK 'Williams provides much food for thought. This book can be read profitably by both music faculty and graduate students.' Choice

ISBN: 9780754601340

Dimensions: unknown

Weight: 330g

176 pages