African Spirituality in Black Women’s Fiction

West's fine study adds to a growing body of literature demonstrating the impact of African heritage on African American culture. West (Georgia State Univ.) makes an important advance on this tradition, exploring ways in which African spirituality is woven into the more obvious Christian elements of the works. This clearly written, well-researched study treats the canon of African women's literature from Phillis Wheatley through the Harlem Renaissance. The author discusses well-known works--Frances Harper's Iola Leroy, Harriet Jacobs's Incidents of the Life of a Slave Girl, Zora Neale Hurston's Their Eyes Were Watching God, and Nella Larsen's Quicksand--but is at her best in her exploration of less-familiar texts, e.g., Hannah Crafts's The Bondswoman's Narrative; Gifts of Power, a collection of Rebecca Jackson's writings (CH, Dec'81); and Jarena Lee's Religious Experience and Journal of Mrs. Jarena Lee....The specificity of the topic makes the book most appropriate for large collections. Summing Up: Recommended. * CHOICE *
Elizabeth West’s African Spirituality in Black Women’s Fiction: Threaded Visions of Memory, Community, Nature and Being offers a much-needed and breathtaking analysis of the selected literary texts. While these texts have received much critical attention and analysis, the author’s analysis is quite original and provocative. I especially like the way West connects the heavily Christian texts to an African past that is subtly manifested in the texts yet is, unfortunately, missed in literary scholars/critics’ readings of these texts. She does a thorough job in situating the authors and literary texts in the social and cultural times of their publication. Further, she provides a logical explanation for the texts’ strong Euro-Christian emphasis, despite the authors’ African diasporic background. More significantly, her reading of these texts unearths the presence of an African spiritual tradition that has not been explored or examined before with regards to these texts, a somewhat challenging task given the texts’ strong Christian background and deliberate disconnect from all things African. Therefore, this study makes a significant contribution to literary criticism. Without this study, these literary texts are destined to be read exactly as they have been read for decades. -- Georgene Montgomery
Drawing on existing scholarship on traditional African religions in the contemporary world, West’s consideration of African spirituality as articulated in African American literature written by women fills a gap in African American literary studies. West identifies the ways African thought informs African American’s interpretations of Anglo-Christianity, and she charts the metaphysical sensibilities that reveal the evolution of an African spiritual cosmology as represented by African American women writers from Harriet Wilson to Zora Neale Hurston. African Spirituality in Black Women’s Fiction takes an important first step in advancing new frameworks through which to read African American literature. Its commitment to exploring the ways African American women writers reveal both the African American's struggle to integrate traditional African world views into a Western one as a means of survival and the ways these world views influenced a developing American spiritual ethos is to be applauded. -- Dana A. Williams, Chair, Department of English, Howard University