Rise and Fall of the City of Mahagonny

Brecht is one of the greatest and most influential dramatists of the last century whose work is studied on every drama course and many English Literature courses. This is the first translation into English of the approved Versuche text of 1930/1. It supersedes the existing translation of the play by Auden and Kallman that features in Brecht Collected Plays: 2 This is a full critical edition perfect for students and academics, complete with commentary, Brecht's notes and an account of the work in performance Banned by the Nazis in 1933, it wasn't until the 1960s that a major revival of the opera was staged. It has since played in opera houses around the world

Brecht's operatic play produced with Hauptmann, Neher and Weill was first staged in 1930. Translated and with commentary by Steve Giles, this critical edition is the first translation into English of the approved Versuche text of 1930/1.Brecht's operatic play produced with Hauptmann, Neher and Weill was first staged in 1930. The story is that three criminals create the city of Mahagonny. Drinking, gambling, prize-fights and similar activities are the sole occupation of the inhabitants, and money rules. Mahagonny is threatened by a hurricane at the end of Act 1, which despite much anticipation and causing much distress simply bypasses the city. In Act 2 following the hurricane nothing is forbidden and various scenes of debauchery occur. Jenny and Jim try to leave but Jim cannot pay his debts and is arrested. Another character arraigned for murder, bribes his way out of it, but Jim has no money and is condemned to death for not paying for his whisky. The opera ends with discontent destroying the city, which burns as the inhabitants march away. Translated and with commentary by Steve Giles, this critical edition is the first translation into English of the approved Versuche text of 1930/1. An important addition to Brecht scholarship, this edition contains a full introduction to the play, Brecht's writing and notes on the work, editorial notes and variants, and a study of contemporary productions and responses.