Choreia

This study explores how the three metrical units of choral odes correspond to the spatial arrangement of dancers, emphasizing the connection between their movements and the poetry's thematic elements. Choreia was originally published in 1983.

Choreia delves into the intricate relationship between choral odes and the spatial dynamics of dance. The study highlights how the three metrical units typically found in choral odes correspond to the arrangement of dancers as they perform. This connection emphasizes the physicality of the dance, demonstrating that the movements and positions of the dancers serve to enhance the emotional and thematic elements of the poetry. The climactic moments within the verses are brought to life through the dancers' attitudes, illustrating a profound interplay between movement and lyrical expression.

Originally published in 1983, this work offers a fresh perspective on the performance aspects of ancient choral poetry. It posits that specific themes within the poetry are intentionally linked to particular sections of the choral form, suggesting a deliberate structuring that enhances the overall impact of the performance. By examining these connections, the study enriches our understanding of how ancient audiences might have experienced these performances, blending visual and auditory elements to create a cohesive artistic expression.

The Princeton Legacy Library has made this significant work accessible once more, utilizing modern print-on-demand technology to reissue previously out-of-print titles from its esteemed catalog. These new editions maintain the integrity of the original texts while providing durable paperback and hardcover formats. Through this initiative, the Princeton Legacy Library aims to broaden access to the scholarly heritage encapsulated in the numerous influential works published by Princeton University Press since its inception in 1905.