The Pity of Partition

One of Choice's Outstanding Academic Titles for 2013 "Tufts University historian Jalal (Partisans of Allah), a great-niece of Urdu writer Saadat Hasan Manto (1912-1955), gives readers an intimate, passionate, and insightful portrait of this brilliant but tragic man as he navigated and interpreted the repression, chaos, and violence of the final years of British colonialism and the upheaval of India's 1947 partition. The book follows Manto's life from his rebellious youth and early adulthood translating Victor Hugo and Oscar Wilde in Amritsar, Punjab, to his years as a struggling journalist and film writer in Bombay, where his provocative stories elicited numerous obscenity charges while building his reputation as 'the father of the Urdu short story' and a "'unique literary miracle" destined for immortality,' and his prolific but troubled later years in postpartition Lahore, premature death at 42, and his boisterous funeral, where 'several of Manto's fictional characters were spotted in the crowd.'"--Publishers Weekly "[A] fine introduction to Manto and his work, and his depiction of partition."--M. A. Orthofer, Complete Review "Eminent historian Jalal has written a rich, engaging, at times moving account of the life of Urdu writer Saadat Hasan Manto (1912-55), interweaving biography with the tumultuous events of Indian nationalism, the Partition, and early Pakistan... A much-needed study of a pioneering public figure."--Choice "[S]ome of the finest pictures of Manto, his wife and of his friends embellish this book. Yet, the highlight of Jalal's work is that she has not let her proximity to Manto and his family affect in any way the objectivity that such a study would demand. Her unbiased approach to presenting Manto with his failings and foibles helps a more considered understanding of the writer."--Business Standard "Saadat Hasan Manto (1912-55) was a leading Urdu writer who attracted controversy in prepartition India and early postpartition Pakistan for his short stories and film scripts that dealt with sex and politics in a daring manner. Jalal, his grandniece, uses his published writings and family letters and her interviews with relatives to portray his complex relationship. Interweaving stories from his fiction and events from his life, she produces a rich ... tapestry of a complex society and the tensions that built up to the explosive violence of partition in 1947."--Foreign Affairs "Jalal has performed a great service for scholars and the reading public by opening the Manto archive to their gaze. I for one will read Manto's stories, from now on, with added pleasure and comprehension."--Ian Copland, American Historical Review "Basing her work on Manto's life, his quintessential cosmopolitanism, the many journeys in which he traversed Amritsar, Delhi, Bombay and Lahore, and later, the borders of India and Pakistan, the friendships with other writers and film personalities, and the exploration of different forms of writing--all of this becomes a way of reading the history of Partition, and indeed questioning and resisting the colonial project of separation on the basis of religious identity... This book, especially in the section on his school years, provides detail of the kind that often encourages readers to return to the work to see how life resonates with fiction."--Urvashi Butalia, Livemint "Ayesha Jalal has succeeded wonderfully in weaving together the three elements she has chosen--Manto's life, his works and the momentous times he lived through. Hers is an honest portrayal of a brilliant man whose own honesty, independent-mindedness and insight were outstanding, and whose stories are still unparalleled."--Gillian Wright, India Today "Resplendent with anecdotal chapters about Saadat Hasan Manto's growing up years in Amritsar, his adulthood tales in Bombay, and his understanding of partition... Illuminating."--Arunima Mazumdar, Times of India "This is one book that every Manto lover would love to devour."--Yatin Gupta, IBN Live "This is a highly readable book... The result is an amazingly informative, even-handed, and lifelike portrait of the great writer."--Ishtiaq Ahmed, Pacific Affairs