Ladies' Greek

"Shortlisted for the 2017 London Hellenic Prize, London Hellenic Society"
"Winner of the 2018 NAVSA Book Prize, North American Victorian Studies Association"
"Winner of the 2018 Robert Lowry Patten Award, SEL Studies in English Literature 1500-1900"
"The story of 'ladies' Greek', writes Yopie Prins in this fascinating academic study, goes hand in hand with that of the progress made in women’s education during the second half of the 19th century."---Francesca Wade, Daily Telegraph
"[A] splendid new study of late 19th- and early 20th-century female translators of ancient Greek tragedy. . . . Prins gives a fascinating account of the importance of Greek tragedy in translation and theatrical production in the colleges of higher education for women that emerged in this period."---Emily Wilson, Guardian
"[An] excellent new book. . . . [Prins] brings a perspective combination of biographical insight and historical overview."---John Kerrigan, London Review of Books
"In Yopie Prins' remarkably wide-ranging, even scandalously scholarly work, she has collected a series of vivid tableaux vivant featuring translations and performances of Greek tragedies by 19th- and early 20th-century women, both in Britain and America."---Mary Townsend, Education & Culture Review
"Ladies' Greek has been nearly twenty years in preparation. . . . It's been worth the wait. This is a wonderful demonstration of archival research, literary history and close reading which takes the discipline of classical reception to a new level. Like the subjects she describes, Prins breathes new life into dead papers, her own dazzling writing dancing across the page. . . . An exhilarating intellectual ride."---Jennifer Wallace, Modern Language Quarterly
"Prins has a gift for wordplay and turns of phrase . . . that can open up new speculative possibilities as we ask why women were so attracted to learning Greek. . . . [An] important study."---Elizabeth Helsinger, Modern Philology
"Ladies’ Greek is an exceptional piece of work. Deftly written, insightful and expansive, the book demonstrates Prins’ excellence as a scholar. Prins has produced more than outstanding scholarship, though: her series of encounters with archival materials and the lives and works of past women they represent is both compelling and moving. I will confess that the book took some time to get through, but that is chiefly because I found myself re-reading some of the passages again and again as one might do a great piece of literature. . . . A triumph."---David Bullen, Classical Review
"A wonderful demonstration of archival research, literary history, and close reading, Ladies’ Greek takes the discipline of classical reception to a new level. Like the subjects she describes, Prins breathes new life into dead papers, her own dazzling writing dancing across the page."---Jennifer Wallace, Modern Language Quarterly
"Prins’ archival analysis unpicks such conflicting perceptions of increased access to women’s education. Engrossing and accessible, Ladies’ Greek reveals very different (self-)portraits of female classicists and paves the way for further studies of women’s encounters with classical antiquity."---Rachel Bryant Davies, Journal of Hellenic Studies ​​​​​​​