Dickinson's Misery

Dickinson's Misery is our luxury. This rich and rewarding study uncovers intellectual value where no one thought to look for it before: in the envelopes, clippings, pictures, flowers, and dead insects that so often accompanied a Dickinson lyric. A lively, mischievous, and memorable book. -- Diana Fuss, Princeton, author of "The Sense of an Interior: Four Writers and the Rooms that Shaped Them" and "Essentially Speaking: Feminism, Nature, and Difference". Dickinson's Misery stunningly combines scrupulous historical and theoretical explorations of Dickinson's bizarre poetic practices, and in so doing it opens the most fundamental questions about what critics and readers since Dickinson have come to call the "lyric." Future writing on poetry in nineteenth-century America and on the nature of lyric and lyrical reading will need to address Jackson's searching arguments. -- Jonathan Culler, Cornell University, author of "On Deconstruction" Who doubts that Emily Dickinson wrote lyric poems? Yet this turns out to be one of those truisms that dissolves in the face of simple attention. By showing how much we normalize the strange things that Dickinson wrote precisely by reading them as lyrics, Jackson has written a book that earns its subtitle: a theory of lyric reading. This is one of the most inventive and observant books yet written on Dickinson, but it is more than that: I know of no better study of the performative character of reading, nor of any book that does more to open our eyes to just how little we know about the range of genres and styles of reading in the past. -- Michael Warner, Rutgers University

Poses fundamental questions about reading habits we have come to take for granted. Featuring illustrations from Dickinson's manuscripts, this book makes a contribution to the study of Dickinson and of nineteenth-century American poetry. It also maps out the future for work in historical poetics and lyric theory.How do we know that Emily Dickinson wrote poems? How do we recognize a poem when we see one? In Dickinson's Misery, Virginia Jackson poses fundamental questions about reading habits we have come to take for granted. Because Dickinson's writing remained largely unpublished when she died in 1886, decisions about what it was that Dickinson wrote have been left to the editors, publishers, and critics who have brought Dickinson's work into public view. The familiar letters, notes on advertising fliers, verses on split-open envelopes, and collections of verses on personal stationery tied together with string have become the Dickinson poems celebrated since her death as exemplary lyrics. Jackson makes the larger argument that the century and a half spanning the circulation of Dickinson's work tells the story of a shift in the publication, consumption, and interpretation of lyric poetry. This shift took the form of what this book calls the "lyricization of poetry," a set of print and pedagogical practices that collapsed the variety of poetic genres into lyric as a synonym for poetry. Featuring many new illustrations from Dickinson's manuscripts, this book makes a major contribution to the study of Dickinson and of nineteenth-century American poetry. It maps out the future for new work in historical poetics and lyric theory.