The Appropriation of Cultural Capital
China’s May Fourth Project
Milena Dolezelova-Velingerova editor Oldřich Král editor
Format:Hardback
Publisher:Harvard University, Asia Center
Published:29th Apr '02
Currently unavailable, and unfortunately no date known when it will be back
For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement.
The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China’s literary past.
ISBN: 9780674007864
Dimensions: unknown
Weight: 667g
374 pages