Samuel Johnson

Lipking’s story is of how Johnson made professional authorship respectable. Before him, a gentleman disdained the seamy business of selling writing. After him, it became a virtuous necessity. -- John Mullan * The Guardian *
In Samuel Johnson, [Lipking] eschews the traditional approaches to biographical study, focusing instead on Johnson’s works as a means of revealing not just the man’s character and literary philosophy but also his attitude toward the authorial profession and the role of the writer in society… Samuel Johnson makes a convincing case for studying the works rather than biographical facts to shed light on Johnson the writer, and Lipking amply demonstrates that this man—talented, ambitious, yet constantly struggling against depression and oppression—not only developed a singular identity but also came to epitomize what it meant to be an author. -- Gerald H. Strauss * Magill’s Literary Annual *
Lawrence Lipking is a distinguished scholar and critic and his approach to authorship provides him with an opportunity to analyze and comment upon Johnson’s texts… [T]he chapters…provide new insights and are all written thoughtfully and gracefully. The volume provides a valuable approach to Johnson’s works, one that supplements biographical studies. * The Virginia Quarterly Review *
A lively reappraisal of Johnson, the giant of Grub Street, that reduces his classic stature and makes him more approachable. * The Observer *
First, this will be a biography concentrating on its hero’s writings and career—no anecdotes about Johnson and his wife on horseback. Second, it is to be an exemplary biography, in showing that Johnson may stand as the type of the author. Third, ‘the life of an author’ rings out as Johnson’s own phrase. Lipking avails himself of it in the conviction that the literature of the past should prompt not griping but gratitude… Then, in straightforward and compelling sequence, [he] attends to the supreme achievements… Lipking is scrupulous in citing Johnson scholars (this is a modest book as well as one that takes pride in its work), while his relations are his own. -- Christopher Ricks * Boston Sunday Globe *
Focusing primarily on the work, not the life, Lipking explores how through a combination of hackwork, drudgework (his famous dictionary), and imaginative literature, Johnson elevated himself to the status of a literary celebrity in his own time and a canonical author for all time. Deftly blending current academic theory with Johnson’s own common-sense approach to literary criticism, Samuel Johnson is a good book for any Johnson aficionado on your Christmas list. -- Scott Stossel * Boston Phoenix *
Lipking’s Samuel Johnson: The Life of an Author is full of such rewards. It proves that Johnson repays, perhaps requires, a lifetime of careful reading. Concentrating on his writings to prove that Johnson could master the world and its language, Lipking makes his readers want to do the same… Lawrence Lipking has managed, once again, to show us, and our students, how, and why, to read the literature of this period. -- Rob Reich * Eighteenth-Century Studies *
Lawrence Lipking has devoted a lifetime to reading and reflecting on Samuel Johnson, and his study differs from all the works on Johnson that have been written to date by focusing on how an obscure hack writer, ‘almost unknown until his forties,’ became an author ‘who dominated his age’ and gave it his name, the Age of Johnson. Lipking is not interested in Johnson the great conversationalist or the quirky personality; rather he traces Johnson’s literary career from his juvenilia, beginning with his poem ‘On a Daffodil’ composed when he was fifteen, to his last great achievement in publishing The Lives of the English Poets (1779–1781)… A moving account of Johnson’s death and its fascination for his friends and the public rounds out this eminently readable and enjoyable book… This is a welcome scholarly contribution to Johnsonian studies. -- Michael Shinagel * Harvard Review *
[A] fine new book… It is brave and admirable of Mr. Lipking to have written a ‘generalist’ book about Johnson as author, addressed to the generalist reader. Lipking takes up, pretty much in chronological order, the main pieces of writing through which Johnson survives… The claim implicitly made in [his] choices is that Lipking has something forceful, even new, to tell us about items central to Johnson’s achievement as a writer, an author; this claim is handsomely substantiated in the book he has written… Lawrence Lipking should be proud of his own tribute to Johnson, a work no less of learning than of love. -- William H. Pritchard * Hudson Review *
Lipking’s story is different because he is genuinely interested in Johnson as a writer, and although all the other Johnsonian expectations are there—the tics and quirks, the bons mots, the opinions and pronouncements and agonies—Lipking keeps his eye firmly on the choices Johnson makes about writing projects. Here is the writer, not the icon or exhibit. Students will love this book, and scholars will find their sense of Johnson subtly enlarged. This is a different kind of Johnson biography and an important and judicious one. -- J. Paul Hunter, author of the Gottschalk Prize–winning Before Novels
Samuel Johnson is a work of remarkable ease, assurance, elegance, learning, and even, dare I say, wisdom. It builds effortlessly on a comprehensive grasp of the Johnsonian scholarship of our century; it consistently steers a middle course through the controversies of Johnson criticism with the same balance and moderation that Lipking praises in Johnson’s own writing. Lipking has produced what may well be the last word on Johnson for the twentieth century—a beautifully written synopsis of both the corpus of Johnson’s writings and, incidentally, the ways in which those writings have been addressed in the past fifty years. -- Adam Potkay, author of The Fate of Eloquence in the Age of Hume