Black and White

This study explores Aubrey Beardsley's art, revealing its timeless allure and complex themes of sexuality and innocence, as discussed in Black and White.

In Black and White, Brigid Brophy delves into the life and work of Aubrey Beardsley, whom she describes as 'the most intensely and electrically erotic artist in the world.' Published in 1968, this study arrives at a pivotal moment when Beardsley's art experiences a revival of interest, both in scholarly circles and popular culture. Brophy captures the essence of Beardsley's unique vision, likening it to that of a child observing the world with a mixture of allure and trepidation. This perspective allows readers to appreciate the emotional depth and curiosity that permeates Beardsley's work, which often explores themes of sexuality and innocence.

Brophy's analysis is enriched by her understanding of Freudian concepts, as she examines the polymorphous perversity that characterizes Beardsley's illustrations. She argues that this blend of childlike wonder and adult themes is what makes Beardsley’s art both timeless and modern. Despite the high-baroque rococo style, Brophy's insights reveal a complexity that resonates with contemporary audiences, ensuring Beardsley's relevance in the art world.

Through Black and White, readers are invited to explore a world where innocence and eroticism intertwine, challenging conventional boundaries. Brophy's engaging prose and keen observations illuminate the intricacies of Beardsley's creativity, making this work a significant contribution to art criticism and an essential read for anyone interested in the intersections of art, sexuality, and childhood innocence.