Dress in Mediterranean Antiquity

There is great diversity in material here, but the editors have done an excellent job in corralling the contributions into a harmonious whole with a broadly chronological framework and judicious formatting which makes the volume easy to navigate and a pleasure to read ... this really is an excellent, exciting volume, which offers both helpful overviews and up-to-date research within dress studies and is certain to be of use to both researchers and students. I learned a great deal and was encouraged to look at familiar material in new ways. I found myself using it in my own research immediately. * Journal of Ecclesiastical History *
The strength of this work comes not only from the fact that it brings together scholars of interdisciplinary backgrounds to discuss clothing from a variety of methodologies, but that these essays talk to each other ... This is a work that will stand the test of time and become a valuable resource for many scholars and interested readers alike. * Reading Religion *
The present volume is a valuable contribution to the growing scholarship on dress and clothing in the ancient world, a vibrant field with much to offer our understanding of diverse elements of ancient life, from gender and social status to labour practices and trade ... The editors should be congratulated for bringing together a wide range of authors both within and beyond ancient studies and for producing a volume of such impressive scope and quality. * Bryn Mawr Classical Review *
The uniqueness [of Dress in Mediterranean Antiquity] lies in the scope of presenting aspects of Greek, Roman, Jewish, and Christian dress in one volume. It shows the potential of various source categories and methods, and on the whole this book clearly demonstrates the multidisciplinary approach of current dress studies in the ancient Mediterranean. * Journal of Dress History *
This text will appeal to anyone with an interest in fashion history and the material cultures of antiquity. * AramcoWorld *
A book about dress is always about so much more than simply what people wore, and this volume is no exception. Readers will find chapters covering Greek, Roman, Persian, Jewish and Christian dress and appearance, from the widest range of sources and written by an international group of scholars. It is a book that crosses disciplinary boundaries so that wherever you situate yourself — classics, religious studies, fashion history, cultural studies, economics, art history — it will have something for you - just read it. Learn and enjoyx. * MARY HARLOW, University of Leicester, UK *
Kelly Olson and Alicia J. Batten have curated a wide-ranging set of essays with breathtaking scope. Together, the pieces in this engaging volume provide a roadmap for the crucial questions that can be asked about dress, and the different means of answering them. Not only do these methodological chapters and specific examples provide new insights into age-old questions of what dress does, how it acts in the social and cultural realms, and how it constructs gender and identity, but they also foray into new queries about the materiality, sensory experience, and representation of dress. By spanning a diverse set of locations ranging from ancient Greece and Rome to Egypt, Persia and Judea (and even to some contemporary contexts!) and exploring different kinds of evidence, from texts and inscriptions to sculptures and archaeological discoveries, this book brings multiple perspectives into conversation. It illuminates the broader picture of what we can learn about the meaning and significance of clothing and its impact on bodily comportment in Antiquity. * NAFTALI S. COHN, Concordia University, Canada; author of The Memory of the Temple and the Making of the Rabbis *
Dress in Mediterranean Antiquity is ambitious in scope, with a broad temporal and geographic range. Yet the essays cohere in interesting ways, especially concerning the social functions of dress. Individual authors interrogate the visual, material, and textual evidence for a plethora of dress practices, from hairstyles to footwear, in specific cultural contexts. Dress emerges as a primary means of constructing social identities, especially gender, age, marital status, socio-economic status, social role, ethnicity, and religion. Amply illustrated, including many photographs in color, this volume will be a valuable contribution to the burgeoning scholarship on dress in antiquity. * MIREILLE LEE, Vanderbilt University, USA *