Music and Urban Society in Colonial Latin America

Representing pioneering research, essays in this collection investigate musical developments in the urban context of colonial Latin America.

The fields of colonial history and urban music history are growing areas of interest within musicology. This collection of essays proposes a new view of the history of music in colonial Latin America, and will be of interest to social and cultural historians as well as musicologists.The Spanish colonial project in Latin America from the sixteenth to the eighteenth centuries was distinctly urban in focus. The impact of the written word on this process was explored in Ángel Rama's seminal book The Lettered City, and much has been written by historians of art and architecture on its visible manifestations, yet the articulation of sound, urban geography and colonial power - 'the resounding city' - has been passed over in virtual silence. This collection of essays by leading scholars examines the role of music in Spanish colonial urbanism in the New World and explores the urban soundscape and music profession as spheres of social contact, conflict, and negotiation. The contributors demonstrate the role of music as a vital constituent part of the colonial city, as Rama did for writing, and therefore illustrate how musicology may illuminate and take its place in the broader field of Latin American urban history.