The Quilting Points of Musical Modernism
Revolution, Reaction, and William Walton
Format:Hardback
Publisher:Cambridge University Press
Published:16th Aug '12
Currently unavailable, and unfortunately no date known when it will be back
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- Paperback£30.99(9781108746830)
A new theory of musical modernism, which brings contemporary philosophy into contact with music theory and interpretation.
J. P. E. Harper-Scott's book proposes a new theory of musical modernism, bringing contemporary philosophy into contact with music theory and interpretation. It explores the capacity for music to challenge cultural and political ideas and provides a critique of modern music histories.Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have interpreted it as a vital intellectual defence against totalitarianism, yet some American critics consider it elitist, undemocratic and even unnatural. Drawing extensively on the philosophy of Heidegger and Badiou, The Quilting Points of Musical Modernism proposes a new dialectical theory of faithful, reactive and obscure subjective responses to musical modernism, which embraces all the music of Western modernity. This systematic definition of musical modernism introduces readers to theory by Badiou, Žižek and Agamben. Basing his analyses on the music of William Walton, Harper-Scott explores connections between the revolutionary politics of the nineteenth and twentieth centuries and responses to the event of modernism in order to challenge accepted narratives of music history in the twentieth century.
ISBN: 9780521765213
Dimensions: 253mm x 180mm x 22mm
Weight: 700g
300 pages