Bruckner's Symphonies
Analysis, Reception and Cultural Politics
Format:Paperback
Publisher:Cambridge University Press
Published:18th Sep '08
Currently unavailable, and unfortunately no date known when it will be back
This 2004 study examines the complexities of Bruckner's symphonies, addressing their interpretation, analysis, and historical context through various interdisciplinary perspectives, including political, philosophical, and psychoanalytical themes.
Bruckner's Symphonies is a significant 2004 study that delves into the complexities surrounding Anton Bruckner's symphonic works. This book addresses various interpretative, analytical, and historical challenges that these compositions present, offering potential solutions through detailed case studies of individual symphonies. Bruckner's music has sparked intense reactions, ranging from admiration to criticism, making it a focal point for scholarly inquiry.
Author Julian Horton approaches Bruckner's symphonies through a multidisciplinary lens, exploring the myriad of issues that have emerged over time. He scrutinizes the works' analysis and reception, considering them within broader debates and methodological controversies. By examining the symphonies from diverse perspectives—analytical, historical, philosophical, literary, critical, and psychoanalytical—Horton sheds light on significant themes. These include the political context of the compositions, the influence of post-war musical analysis, the challenges posed by various editions, and the psychological aspects of Bruckner's life and work.
Through this comprehensive exploration, Bruckner's Symphonies not only enhances our understanding of the music itself but also situates it within the complex socio-political landscape of its time. The book invites readers to engage with Bruckner's symphonies in new and thought-provoking ways, making it a vital resource for anyone interested in the intricacies of this remarkable composer and his enduring legacy.
Review of the hardback: 'Julian Horton has painstakingly explored Bruckner's symphonic output from assorted perspectives - historical, political and psychobiographical. The result is a fascinating reassessment of a unique musical universe. Horton's conclusions - that Bruckner's symphonies embody the conflicts between subjectivity and faith, artifice and innovation, bourgeois secularity and religious authority - are stimulatingly controversial. This is an important and provocative piece of scholarship.' Link
Review of the hardback: 'Horton's comprehensive grasp contrasts sharply with the dismissive, patronising or misguided comments of many previous writers' Classical Music
Review of the hardback: 'This is an impressive book and at times an inspiring one. The Bruckner Journal
Review of the hardback: ' … important and fascinating …Horton presents his evidence carefully and skilfully …the presentation of the books is immaculate and up to CUP's very high standards … Julian Horton has made a most impressive contribution to what he rightly describers as the 'considerable scholarly impetus that has built up behind Bruckner in recent transatlantic musicology.' Music and Letters
Review of the hardback: '… a highly valuable contribution to Bruckner scholarship …' Nineteenth-Century Music Review
ISBN: 9780521081856
Dimensions: 244mm x 170mm x 16mm
Weight: 480g
296 pages