Between Romanticism and Modernism

This book explores Nietzsche's early analysis of Wagner's doctrine and the connections between Brahms and Wagner, shedding light on musical nationalism.

In Between Romanticism and Modernism, Carl Dahlhaus delves into Friedrich Nietzsche's early exploration of the contradictions present in Richard Wagner's musical philosophy. This analysis not only sheds light on Wagner's doctrine but also examines the broader implications for romantic and neo-romantic music. Dahlhaus discusses the concept of periodicization, a critical aspect of musical structure, and how it relates to the evolving landscape of music during this transformative period.

The book further investigates the connections between Brahms and Wagner, two titans of their era, highlighting their shared responses to the pressing musical challenges of their time. By drawing parallels between these composers, Dahlhaus offers insight into their artistic motivations and the cultural context that shaped their works. This exploration reveals the intricate relationship between their compositions and the broader trends in music.

Additionally, Between Romanticism and Modernism includes Walter Kaufmann's translation of Nietzsche's previously unpublished fragment, On Music and Words. This fragment provides a unique glimpse into Nietzsche's thoughts on the interplay between music and language, adding depth to the discourse on musical nationalism. Through this comprehensive examination, Dahlhaus not only honors the legacies of these influential figures but also invites readers to reconsider the significance of their contributions to the evolution of music.