I Don't Sound Like Nobody
Remaking Music in 1950s America
Format:Hardback
Publisher:The University of Michigan Press
Published:26th Aug '10
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"In Albin J. Zak III's highly original study, phonograph records are not just the medium for disseminating songs but musical works unto themselves. Fashioned from a mix of copyright law, recording studios and techniques, the talent of musicians and disc jockeys, the ingenuity and avarice of producers, and the appetites of record buyers, the all-powerful marketplace Zak describes is an unruly zone where music of, by, and for the people is made and anointed."
---Richard Crawford, author of America's Musical Life: A History
"Wrestling clarity from the exuberant chaos of early rock 'n' roll, Albin Zak's I Don't Sound Like Nobody redefines our understanding of the record in the shaping of the post–World War II soundscape. Zak tracks the story which extends from Bing Crosby and Frank Sinatra through Elvis and Buddy Holly to the Beatles and Bob Dylan with excursions into dozens of lesser known, but crucial, players in a game with few established rules. A crucial addition to the bookshelf."
---Craig Werner, author of A Change Is Gonna Come: Music, Race & the Soul of America
"I Don't Sound Like Nobody is a superb account of the transformation of American popular music in the 1950s. Albin Zak insightfully explores what recording actually means in terms of the process of making and consuming music. His discussion of the legal, aesthetic, and industrial ramifications of changes in the recording process over the course of the 1950s will make popular music scholars and record collectors reconsider what they think they know about the period."
---Rob Bowman, author of Soulsville, U.S.A.: The Story of Stax Records
"Informative, original, and entertaining. Through a narrative that is not only enlightening but also compelling, I Don't Sound Like Nobody probes the sources and mechanisms of change within post-war American popular music, shedding a cultural and historical light on the convergence of musical idioms that created '50s rock and roll."
---Stan Hawkins, author of Settling the Pop Score
"From the birth of the record industry through the legacy of Presley, the development of rock and roll, and the Beatles 'stunning arrival on the world's stage,' Albin Zak takes us on a journey of exceptional scholarship. The breadth of coverage and deep examination of recordings and repertoire reveal the author's reverence and sensitivity to the many...
“Mr. Zak brings a record hound's passion and expertise to his study . . . For aficionados of American popular music, this is an engrossing work of scholarship full of fresh insights.”
---Wall Street Journal
"Students and scholars of popular music will find this an enlightening, thought-provoking book."
--Choice, D Arnold, University of North Texas
"Mr. Zak brings a record hound's passion and expertise to his study . . . For aficionados of American popular music, this is an engrossing work of scholarship full of fresh insights."
—Wall Street Journal
"Students and scholars of popular music will find this an enlightening, thought-provoking book."
—Choice, D Arnold, University of North Texas
Winner: American Musicological Society (AMS) 2011 Music in American Culture Award
* AMS Music in American Culture Award *Winner: Association for Recorded Sound Collections (ARSC) 2011 Certificate of Merit for Best Research in Recorded Rock or Popular Music
* ARSC Certificate of Merit *"This research should serve as a catalyst for a critical reevaluation of the current narratives of postwar American popular music history and will likely exert an influence on the field for many years to come."
—Travis D. Stimeling, American Music
ISBN: 9780472116379
Dimensions: unknown
Weight: unknown
328 pages