Somatic Cinema

This book presents a novel exploration of psychological meanings in cinema, particularly through the lens of Somatic Cinema and its therapeutic implications.

In Somatic Cinema, Luke Hockley delves into a new ontology of film, exploring how psychological meanings manifest through the lens of phenomenological and Jungian film theory. He presents a compelling argument that films often convey personal psychological significance that can conflict with their narrative structures. By examining the intersection of mental health and cinema, this work pushes the boundaries of traditional film theory, highlighting its relevance in both therapeutic settings and everyday life.

Hockley skillfully integrates insights from phenomenological and Jungian approaches with established psychoanalytic theories. This synthesis leads to a focus on the affective bodily experience and unconscious processes, allowing for a richer exploration of cinema's impact. The shift in emphasis from purely intellectual understanding to a more inclusive approach to personal meaning-making is a key theme throughout the book. Hockley introduces several pivotal concepts, such as the 'Third Image'—the intersubjective space shared between viewer and screen, as well as therapist and client.

Additionally, he discusses the Cinematic Frame, which serves as a psychological container for the relationship between viewer and film. The book also examines the Cinematic Experience, which encapsulates the somatic expressions of unconscious effects that arise during film viewing. Somatic Cinema is an essential read for those engaged in film studies, media studies, and analytical psychology, offering a fresh perspective on our connections with films.