Originality and Intellectual Property in the French and English Enlightenment

Reginald McGinnis editor

Format:Paperback

Publisher:Taylor & Francis Ltd

Published:10th Oct '12

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Originality and Intellectual Property in the French and English Enlightenment cover

Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.

"The range of authors, artists, and works addressed in these essays remains genuinely impressive. I feel compelled from the outset to underscore the extent to which there seems very often to be—in almost all of these essays—substantially more going on than perhaps first meets the eye." --Robert L. Mack, Eighteenth-Century Fiction

ISBN: 9780415542982

Dimensions: unknown

Weight: 460g

250 pages