Film as Social Practice

This updated edition of Film as Social Practice explores contemporary film analysis, cultural aspects, and the evolution of cinema, making it essential for film studies students.

The fourth edition of Film as Social Practice has been fully revised and updated to reflect contemporary film analysis and the latest developments in the field. This edition includes revised chapters, new illustrations, and expanded discussions on film theories, special effects, and spectacle, making it a comprehensive resource for students and enthusiasts alike. With a focus on the intersection of film with social and cultural contexts, it offers insights into how cinema influences and reflects societal ideologies and audience perceptions.

Graeme Turner, the author, delves into the complexities of contemporary popular cinema alongside examples from Classical Hollywood. He examines critical aspects such as audience engagement, the impact of technology on film exhibition, and the evolving ideologies within cinematic narratives. The new sections address ongoing debates surrounding spectacle and special effects, as well as sound's vital role in enhancing the cinematic experience.

This updated edition also incorporates discussions on race and ethnicity representation in film, ensuring a thorough exploration of diversity within the medium. Students studying film practice, theory, and analysis will find this edition of Film as Social Practice an invaluable addition to their academic resources, enriched with contemporary examples and illustrations that resonate with today's film landscape.