Black and Asian Theatre In Britain

This comprehensive study explores the representation of 'the other' in British theatre, highlighting the contributions of various black and Asian artists and companies. Black and Asian Theatre in Britain provides valuable insights.

Colin Chambers' timely study traces the history of 'the other' in British theatre from the early representations of the 16th century and blackface through to the emergence of black actors and Black and Asian theatre in their own right. This exploration is particularly significant as it uncovers the diverse and often contradictory aspects of this history, offering a comprehensive background to the work of African, Asian, and Caribbean diasporic companies and practitioners.

Black and Asian Theatre in Britain presents a thorough analysis of early forms of blackface and other representations, shedding light on how these early portrayals evolved over time. Chambers examines the emergence of black and Asian actors, companies, and theatre groups that paved the way for a flourishing of diverse voices in British theatre by the turn of the twenty-first century. The book highlights the contributions of significant figures and companies, including Ira Aldridge, Paul Robeson, and Talawa, among others.

This unprecedented study is not only enlightening but also immensely readable, representing a major new contribution to both theatre history and British history as a whole. Black and Asian Theatre in Britain is an essential resource for anyone interested in understanding the evolution of representation in theatre and the rich tapestry of voices that have shaped it.