Gigs

This book, Gigs, explores the transformation of public attitudes and laws affecting vernacular music in New York City, highlighting musicians' struggles and victories.

In Gigs, the author delves into the intricate landscape of vernacular music in New York City, focusing on the transformative social, political, cultural, and legal conditions that facilitated a significant shift in public attitudes and laws governing this vibrant art form. The narrative highlights a remarkable victory for musicians who challenged oppressive entertainment licensing regulations, illustrating the power of grassroots movements in effecting change. This examination not only chronicles the struggles faced by artists but also celebrates their resilience and determination in the face of adversity.

The second edition of Gigs brings fresh insights with a new preface by Hamish Birchall, along with an introduction by series editors Guy Osborn and Steve Greenfield. These contributions enrich the context of the original work, providing readers with an updated perspective on the evolution of public attitudes toward popular music. The author’s afterword serves as a reflective conclusion, emphasizing the ongoing relevance of the themes explored throughout the book.

Essential reading for anyone interested in the intersection of law and the arts, Gigs offers a compelling exploration of how constitutional litigation can serve as a tool for social change. By examining the historical context and the impact of legal frameworks on artistic expression, this book provides valuable lessons for contemporary musicians and advocates for the arts.