Picturing Courtiers and Nobles from Castiglione to Van Dyck
Self Representation by Early Modern Elites
Format:Paperback
Publisher:Taylor & Francis Ltd
Published:25th Sep '23
Currently unavailable, and unfortunately no date known when it will be back
This paperback is available in another edition too:
- Hardback£150.00(9780367439088)
This interdisciplinary study examines painted portraiture as a defining metaphor of elite self-representation in early modern culture.
Beginning with Castiglione’s Book of the Courtier (1528), the most influential early modern account of the formation of elite identity, the argument traces a path across the ensuing century towards the images of courtiers and nobles by the most persuasive of European portrait painters, Van Dyck, especially those produced in London during the 1630s. It investigates two related kinds of texts: those which, following Castiglione, model the conduct of the ideal courtier or elite social conduct more generally; and those belonging to the established tradition of debates about the condition of nobility –how far it is genetically inherited and how far a function of excelling moral and social behaviour. Van Dyck is seen as contributing to these discussions through the language of pictorial art.
The book will be of interest to scholars working in art history, cultural history, early modern history and Renaissance studies.
"The text is readable, learned, and thought provoking. The illustrations are adequate, and many are in color. Recommended."
--Choice
"The text is readable, learned, and thought provoking. The illustrations are adequate, and many are in color. Recommended."
--Choice
“Peacock argues convincingly that Van Dyck developed highly original, sometimes contrasting representations that commented on—and helped shape—the very nature and self-image of nobility.”
-- Renaissance Quarterly
ISBN: 9780367534936
Dimensions: unknown
Weight: 540g
216 pages