I Have Some Questions For You

Makkai doesn't shy away from moral complication in this impressive and complex novel * Guardian *
[An] absorbing thriller... As well as being a well-plotted crime tale, the novel has pertinent things to say about the fetishising of murder, about easy online outrage, and about people who insert themselves into someone else's story. I Have Some Questions for You also offers a thought-provoking re-evaluation of what was problematic about male behaviour in the 1990s in the light of the #MeToo scandals of the 21st century * Independent *
A sharp addition to the 'dark academia' canon * Grazia *
Insights into power, race and our fascination with true crime boost a satisfyingly plot-y mystery * Mail on Sunday *
Compulsively readable -- Jessie Thompson * Independent *
Makkai, though, approaches [memories] as a writer curious about psychology. She deftly explores how remembrance can melt into reverie, especially in speculative sections that attempt to reconstruct the scene of Thalia's death. And she nails, too, what it's like to remember . . . beautifully evokes the layered, full-body immersion that occurs when you return to a familiar place, and the weird gravity of an institution like Granby, whose students are transient but whose structures endure . . . It's the perfect crime * New Yorker *
Her prose is lean yet lush, with short, incantatory chapters and sentences as taut as piano wire . . . whip-smart and uncompromising * New York Times Book Review *
Vastly entertaining . . . I Have Some Questions for You is both a thickly-plotted, character-driven mystery and a stylishly self-aware novel of ideas. It's being rightfully compared to Donna Tartt's 1992 blockbuster debut, The Secret History, because of its New England campus setting and because of the haunting voice-over that frames both novel . . in a twist worthy of Poe, Makkai suggests that the truth alone may not set you free or lay spirits to rest * Fresh Air, NPR *
It is at once a propulsive crime story and a thought-provoking meditation on sex, race and the abuse of power * Economist *
An engrossing reflection of sexual politics and the devastating vagaries of the justice system . . . you'll be gripped by the mystery at its heart * Daily Mirror *
In this addictive page-turner, Makkai skewers how and why missing girls become media commodities * Oprah Daily *
I've been waiting years for a book like this! You will laugh, think, think again, cry and stay up all night finishing it. Unputdownable and unforgettable. Makkai has written the book of the season -- Andrew Sean Greer, author of Less Is Lost
Part boarding school drama, part forensic whodunnit, I HAVE SOME QUESTIONS FOR YOU is a true literary mystery -haunting and hard to put down -- Jennifer Egan, Pulitzer winner and author of The Candy House
Both a deeply satisfying crime story and a thoughtful, even provocative, novel of ideas, I Have Some Questions for You narrates one woman's interrogation of her own past while in turn posing difficult questions directly to its reader: about sex, power, privilege, and the ambient violence of contemporary American life. What a feat of storytelling -- Rumaan Alam, author of Leave the World Behind
One of the things I love most about Rebecca Makkai is her absolutely engaging written voice; reading her books feels like hearing a well-told story by a longtime friend. This book -through the voice of its beautifully complex narrator, Bodie Kane -brings readers along on a journey they won't forget -- Liz Moore, author of Long Bright River
Rebecca Makkai's extraordinary storytelling gifts are on full display in I Have Some Questions for You, a tense, sharply drawn, and impeccably plotted literary mystery andan urgent, propulsive story of the collision of gender, race, and class in a New England boarding school. I loved walking alongside narrator Bodie Kane - angry, obsessive, struggling with her own traumatic memories - in her imperfect attempts to reckon with a past she longs to leave behind -- Elizabeth Wetmore, author of Valentine
I adored I Have Some Questions For You. It was so beautifully stitched together, and the voice was desolate, detached, perfection. The looping nature of the narrative, the Serial-esque telling - everything was propulsive but also meandering in a way that had a vice-like control. My favourite book I've read this year, what an absolute triumph -- Heather Darwent, author of The Things We Do To Our Friends
Some books are so universal that they feel bizarrely specific: I read I Have Some Questions for You as if it was written just for me, but I can't imagine who wouldn't love it. Timely, provocative, nuanced, generous-Rebecca Makkai astonishes once again with the perfect combination of brains and heart * Laura Lippmann, author of Dream Girl *
I Have Some Questions for You ponders the nature and value of metaphor and muses on the fallibility of memory, the ease with which false narratives take shape, the human predilection for storytelling, and the way that stories can clarify and illuminate or mislead and misdirect. That Makkai's ethical, metaphysical, and epistemological deliberations find form in an exquisitely suspenseful and enormously entertaining story makes her work a beguiling reflection of the conundrum it so beautifully anatomizes * Boston Globe *
This is sure to be a hit * Publishers Weekly, starred review *
[Makkai adds] intriguing layers of complication . . . Well plotted, well written, and well designed * Kirkus Reviews *
Both wide-angle observer and genius provocateur, Bodie is so real readers will expect to find her in their own yearbooks. Chilled as the deep New England winters during which it takes place and twisty with the slowly found and then suddenly illuminated branches of memory, Makkai's rich, winding story dazzles from cover to cover. * Booklist, starred review *
Endlessly intriguing, shrewd and suspenseful . . . I Have Some Questions for You is a page-turning read with compelling characters and sharp insights into power dynamics * Apple *
Quietly riveting * Irish Times *
A clever crime caper that tackles some big questions, it's storytelling at its best -- Daisy Lester * Independent *
Clever [and] thought-provoking * Good Housekeeping *
Dark academia meets state of America in this brilliant, original novel . . . not only a miscarriage of justice, but matters of class, race, guilt, internet witch-hunts and what - even in tiny communities - we can ever really know about each other * Daily Mail *
A novel that combines the smarts of literary fiction with the thrills of a whodunnit, topped with all the divertissements of the best boarding school-set dramas . . . speaks loudly to the moment, but nothing about it feels faddy. Makkai is an exciting and talented storyteller, and this novel is a triumph * Financial Times *
I dare any reader to not find themselves utterly engrossed in Makkai's superbly paced mystery . . . one of the most satisfying reading experiences I've had in a long time . . . it is a robust literary mystery and something (and I don't make this comparison lightly) that could've been penned by Donna Tartt -- Barry Pierce * Big Issue *
Makkai places her fictional murder firmly in the context of violence against women, cancel culture and our obsession with true crime . . . Makkai doesn't shy away from moral complication in this impressive novel * Guardian *