The Paying Guests

Absolutely brilliant * Sunday Times *
Another wild ride of a novel . . . magnetic storytelling * Observer *
A page-turning melodrama and a fascinating portrait of London on the verge of great change * Guardian *
This novel magnificently confirms Sarah Waters's status as an unsurpassed fictional recorder of vanished eras and hidden lives * Sunday Times, Fiction Book of the Year *
I raced through it, breathing fast and when I had finished had to reread parts of the wonderful early chapters. I don't like historical novels but this is the exception. I shall let a few months go by and then read it all over again with, I'm sure, undiminished pleasure * Guardian *
You know you are in the hands of a skilful, confident writer when you read a Sarah Waters book. She slowly reels you in. She weaves plots and themes that creep up and entangle you while you are innocently following her characters. They go about their shadowy business and by the time you raise your head from the page to take a breath, you're hooked * Telegraph *
The Paying Guests demonstrates the writerly qualities for which Waters is esteemed, proving as 'fantastically moody and resonant', in terms of the rendering of domestic space, as a novel the author herself described as such and which she once said she would like to have written: Daphne du Maurier's Rebecca * Literary Review *
Sickeningly tense - and thumpingly good * Daily Mail *
You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep * Financial Times *
A nod towards Little Dorrit also seems perceptible in the book's quiet ending amid the bustle and clamour of London. Unillusioned but tentatively hopeful, it is a beautifully gauged conclusion to a novel of ambitious reach and triumphant accomplishment * Sunday Times *
A masterpiece of social unease . . . It isn't so much the plot that makes you read on - the novel's armature is a comparatively uncomplicated suspense narrative but barnacled to it is an astonishing accretion of detail . . . A virtuoso feet of storytelling * Evening Standard *
A seductive thriller * Vanity Fair *
The Paying Guests is so evocative and compelling that all the time I was reading, I had a feeling it was me who had done something terrible, instead of her characters * Observer, Books of the Year *
Brilliantly involving . . . juicy, beautifully observed and not afraid to be explicit * Metro *
Waters's page-turning prose conceals great subtlety. Acutely sensitive to social nuance, she keeps us constantly alert . . . From a novelist who has been shortlisted for the Booker three times, this is a winner * The Economist (Intelligent Life) *
An uninterruptable joy of a novel . . . Sarah Waters at her tip-top best * Evening Standard, Books of the Year *
Sumptuous... The writing is impeccable... A joy in every respect * New Statesman, Books of the Year *
A triumph: spellbinding, profound and almost problematically addictive... Waters is so powerful a narrator, so in command of her material as she twists, defies and confronts without using cheap tricks, that she could make us believe anything... Morally complex, atmospheric, romantic and psychologically deep, The Paying Guests is an astonishing achievement... a beautiful and brilliant work by a consummate storyteller * Sunday Express *
A sumptuously subdued story of making do and getting by after the great war * Guardian *
The Paying Guests reminded me just how clever it is to create characters that captivate through their adventures in a world so well-realised that you can almost reach out and touch it * Sunday Herald *
Super gripping... There is a huge momentum to this story * Evening Standard *
Waters is acutely alive to the way domestic interiors can mirror psychological ones... I read the topsy turvey courtroom denouement with genuine wonder at the virtuosity of its unravelling, the emotional subtlety of its implications about how people linger in others. Such intelligence is indeed thrilling * Telegraph *
She gives us a poignant love story which symbolically sees in the death of the old order, the death of the old fashioned husband and maybe the birth of an era of love without secrets * Independent *
The novel's remarkable depth of field - from its class-ridden background to its individuals' peccadilloes - is sharply portrayed by an author writing at her best. Waters's 20-20 vision perceives the interior world of her characters with rare acuity in a prose style so smooth it pours down the page in a book to be prized * Scotland on Sunday *
Waters is an absolute master of pulse-pounding historical fiction * Entertainment Weekly *
Waters has always been attracted to sensationalist plots, and this novel progresses through at least two: a secret love affair between two women and a murder trial. But the novel is really about tiny changes in feeling, often evoked in gorgeous simile * New Yorker *
You open The Paying Guests and immediately surrender to the smooth assuredness of Sarah Waters's silken prose... A novel that initially seems as if it might have been written by E.M. Forster darkens into something by Dostoevsky or Patricia Highsmith. It also becomes unputdownable... a seriously heart-pounding roller-coaster ride * Washington Post *
A tour de force of precisely observed period detail and hidden passions * Wall Street Journal *
Waters masterfully weaves true crime, domestic life and romantic passion into one of the best novels of suspense since Rebecca... diabolically clever... with one of the hottest sex scenes ever to be set in a scullery * Los Angeles Times *
Weaves her characteristic threads of historical melodrama, lesbian romance, class tension, and sinister doings into a fabric of fictional delight that alternately has the reader flipping pages as quickly as possible, to find out what happens next, and hesitating to turn the page, for fear of what will happen next * Boston Globe *
A gold mine of period detail, from class snobbery to sex - but with timeless urgency when it comes to love * Vogue *
An exquisitely tuned exploration of class in post-Edwardian Britain - with really hot sex... Waters is a master of pacing, and her metaphor-laced prose is a delight... until the last page, the reader will have no idea what's going to happen * Kirkus (starred review) *
An absorbing character study [and] expertly paced and gripping psychological narrative... Waters brings historical eras to life with consummate skill, rendering authentic details into layered portraits of particular times and places * Publishers Weekly (starred review) *
Raunchy, romantic and thoroughly entertaining... Another triumph for Sarah Waters * Express *
A pulse-pounder of a novel that feels personal and raw even while it delivers the genre goods... Waters remains a master of her genre, the historical novel rewritten as a dissection of the individual conscience... undeniably fascinating * Chicago Tribune *
A beautifully observed tale of murder, suspense, crumbling class distinctions and steamy lesbian love in post-Edwardian London * People *
A delicious hothouse of a novel... There's palpable tension from page one, so buckle up and prepare for a wild ride... channels the past via E.M. Forster, Dickens and Tolstoy, quickened with a dollop of contemporary Dennis Lehane noir * USA Today *
Pitch perfect... powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex * Slate *
Three novels for the price of one... a meticulously observed comedy of awkward manners, a story of torrid, forbidden trysts conducted behind a façade of conventional feminine respectability, and a tense tale of crime, mystery and suspense that culminates in a nail-biting courtroom drama * Salon *
Moody and atmospheric... keeps you guessing until the very end * Library Journal *
Waters is a gifted storyteller with a way of bringing historical eras to life... With the swiftly shifting mores of post-war British society as a backdrop, she once again provides a singular novel of psychological tension, emotional depth and historical detail * BookPage *
Gripping... Sarah Waters is, quite simply, a marvelous writer... with complete mastery over her material * Globe and Mail *
It has the pacing of a thriller, and the atmosphere, period setting and class-consciousness of truly informed historical fiction * Bay Area Reporter *
With the intricate plotting of Dickens and the gothic textures of the novels of the Bronte sisters, Waters blurs the lines of Victorian fiction by bringing the hidden sexual world into the light, reframing erotic secrets in marvels of pseudo-Victorian crafting... exquisite * Australian *
A heart-crushing... utterly engrossing tale * Toronto Star *
Waters is an author to cherish * Guardian *
Masterly... delightful... tremendously vivid... Waters is a cracking storyteller * Tatler *
Waters is not simply one of our best historical novelists, but one of our best novelists . . . sooner or later, she's going to be given the Booker. If you haven't already, start reading her now, and be one step ahead of the crowd * Independent on Sunday *