The Last Modernist

An examination of the films, themes, and concerns of one of Europe's major filmmakers, Theo Angelopoulos.

In The Last Modernist, readers are introduced to the cinematic world of Theo Angelopoulos, a filmmaker whose distinctive style and thematic concerns have left a lasting impact on contemporary cinema. The book explores his extensive body of work, which spans from the early 1970s to his later masterpieces like Ulysses' Gaze. Through a series of insightful essays, the contributors delve into Angelopoulos' unique approach to filmmaking, characterized by his use of long takes and a profound engagement with space and time.

The essays in The Last Modernist examine the recurring themes in Angelopoulos' films, including Greek politics, history, and the existential notions of journey, border-crossing, and exile. Each contributor brings their perspective to the discussion, highlighting how Angelopoulos' films serve as a reflection of the socio-political landscape of Greece and Europe. This collection not only celebrates his artistic achievements but also engages with the philosophical underpinnings of his work.

Ultimately, The Last Modernist serves as a comprehensive survey of Angelopoulos' cinematic legacy, inviting readers to appreciate the depth and complexity of his films. It stands as a vital resource for anyone interested in understanding the evolution of modern cinema and the significant contributions of one of its most idiosyncratic figures.