Igshaan Adams

Igshaan Adams is a significant exploration of the intricate fiber works created by the contemporary South African artist, Igshaan Adams, who is based in Cape Town. This publication serves as a comprehensive survey of Adams’s artistic journey since 2009, showcasing his innovative multimedia practice. The book delves into the recurring themes present in his work, such as Arabic calligraphy, the rose, self-portraiture, Sufi symbols, and both literal and metaphorical pathways, providing readers with an in-depth understanding of his artistic vision.

In addition to thematic exploration, the book emphasizes Adams’s material concerns, particularly his sculptural use of weaving and his incorporation of recycled materials that resonate with black South African domesticity and interior life. The artist's unique approach to installations is also highlighted, as he creatively engages with the gallery space, utilizing both walls and floors to enhance his work. Hendrik Folkerts contributes an insightful survey of Adams's recent pieces, examining their exploration of presence, absence, and the traces left behind.

The publication features a visual essay by Adams himself, allowing readers to appreciate details that might go unnoticed in a traditional gallery setting. Accompanying essays and poetic texts from various authors provide further context by discussing the historical and political landscape of South Africa, specific artworks, and the diverse creative strategies and narratives that inform Adams’s practice. This book not only celebrates the artist's contributions but also invites readers to reflect on the broader implications of his work within contemporary art.