Naples 1925

“Well-written—and well-translated.”—Dominic Green, Wall Street Journal

“What a trip! Mittelmeier is the perfect philosophical travel guide, and Naples 1925 is as original as it is accessible.”—Wolfram Eilenberger, author of Time of the Magicians: Wittgenstein, Benjamin, Cassirer, Heidegger, and the Decade That Reinvented Philosophy
 
“A rare treat. In sprightly, dancing prose, Mittelmeier constructs a convincing allegory of porosity as the cardinal feature of the volcanic rock of Naples and the structural principle of essays by the initiators of modern Critical Theory.”—Stanley Corngold, author of Expeditions to Kafka
 
“Like Goethe before them, Adorno and his Frankfurt School colleagues were turned on by trips to Italy. Martin Mittelmeier poetically and convincingly shows that early exposure to Vesuvius’s chthonic forces, the dynamiting of Positano’s cliffs, erotic idylls on Capri, and seething Neapolitan street life shook these German Jewish Marxists from their dogmatic slumbers and inspired their still-deranging writings.”—Stuart Jeffries, author of Grand Hotel Abyss: The Lives of the Frankfurt School
 
“Equal parts travelogue and philosophical meditation, Mittelmeier’s fascinating book reflects some of the same porosity that Walter Benjamin attributed to the Italian city. In pellucid translation, Naples 1925 is sure to dazzle its Anglo-American audience.”—Noah Isenberg, University of Texas at Austin
 
“Naples 1925 is a delightful book: a great read about a little-known adventure that brought together Adorno, Benjamin, and Kracauer in Naples and Capri.”—Seyla Benhabib, Yale University
 
“An audacious new reading of the origins of Critical Theory in the interactions of Adorno, Benjamin, Lacis, Sohn-Rethel and Kracauer during their stays in evocative locations around the Bay of Naples in the mid-1920s. Persons, places, and ideas come together in fresh and suggestive constellations in this remarkable book.”—Martin Jay, author of Magical Nominalism: The Historical Event, Aesthetic Re-enchantment, and the Photograph

Praise for the German Edition:
 
“An invitation to completely rediscover the famous Adorno. . . . His philosophy, which seems so hermetic, severe, and heavy, is restored to its origins . . . the loose tuff, the rushing of the water on the siren rocks, but also the gloomy, prehistoric Positano and the eerie water monsters of the famous Naples Aquarium. . . . An original and personal book.”—Frankfurter Allgemeine Zeitung
 
“Inventive and original, working with impressive ingenuity to relate the major categories of Adorno’s thought—and, pars pro toto, those of the Frankfurt School more broadly—to the rugged landscape of the Neapolitan coast. . . . A fresh perspective on a familiar body of work.”—Times Literary Supplement
 
“Extremely impressive and very inspiring.”—Deutschlandradio Kultur
 
“A stimulating cultural and intellectual history of the Gulf of Naples.”—Darmstädter Zeitung
 
“An atmospherically rich study.”—Der Freitag