The Literary Mafia
Jews, Publishing, and Postwar American Literature
Format:Hardback
Publisher:Yale University Press
Published:11th Oct '22
Should be back in stock very soon
An investigation into the transformation of publishing in the United States from a field in which Jews were systematically excluded to one in which they became ubiquitous
“Readers with an interest in the industry will find plenty of insights.”—Publishers Weekly
“From the very first page, this book is funnier and more gripping than a book on publishing has any right to be. Anyone interested in America’s intellectual or Jewish history must read this, and anyone looking for an engrossing story should.”—Emily Tamkin, author of Bad Jews
In the 1960s and 1970s, complaints about a “Jewish literary mafia” were everywhere. Although a conspiracy of Jews colluding to control publishing in the United States never actually existed, such accusations reflected a genuine transformation from an industry notorious for excluding Jews to one in which they arguably had become the most influential figures.
Josh Lambert examines the dynamics between Jewish editors and Jewish writers; how Jewish women exposed the misogyny they faced from publishers; and how children of literary parents have struggled with and benefited from their inheritances. Drawing on interviews and tens of thousands of pages of letters and manuscripts, The Literary Mafia offers striking new discoveries about celebrated figures such as Lionel Trilling and Gordon Lish, and neglected fiction by writers including Ivan Gold, Ann Birstein, and Trudy Gertler.
In the end, we learn how the success of one minority group has lessons for all who would like to see American literature become more equitable.
“Lambert explores the intertwining of Jewishness, nepotism and publishing through the prism of key literary relationships, including those between editors and authors, professors and protégés, and celebrated writers and their children. He dissects in painstaking detail their letters, diaries, reviews, blurbs and general correspondence from the 1940s until the early millennium.”—Guilia Mille, Times Literary Supplement
“Lambert’s conclusion—that today’s culturally disenfranchised groups could glean novel strategies from the triumph of the Jews—is both timely and original in an industry embroiled in a permanent revolution over inclusiveness.”—Paul Goldberg, Jerusalem Post
Finalist for the 72nd National Jewish Book Award, American Jewish Studies category
“The Literary Mafia is a thorough, unflaggingly intelligent, and original study of Jewish presence in American literary institutions during the twentieth century and after. A pleasure to read.”—Evan Brier, author of A Novel Marketplace
“At every turn, The Literary Mafia looks forward by looking backward. Josh Lambert’s shrewd, astringent account of Jews as novelists, critics, editors, and publishers provokes us to envision tomorrow’s news: the wholesale transformation of American letters with a fresh and diverse array of voices.”—Esther Schor, author of Bridge of Words: Esperanto and the Dream of a Universal Language
“Catnip for anyone fascinated by the intricacies of the publishing world, this subtle and judicious book investigates an insufficiently examined aspect of American Jewish cultural history while posing important questions—about who decides which books get published, and why—that resonate strongly in the present.”—Ruth Franklin, author of Shirley Jackson: A Rather Haunted Life
“From the very first page, this book is funnier and more gripping than a book on publishing has any right to be. Anyone interested in America’s intellectual or Jewish history must read this, and anyone looking for an engrossing story should.”—Emily Tamkin, author of Bad Jews
ISBN: 9780300251425
Dimensions: unknown
Weight: unknown
272 pages