Becoming Property

This book offers a thorough exploration of the intersection between intellectual property and visual arts in France, particularly in the context of Becoming Property and its historical implications.

In Becoming Property, the intricate relationship between intellectual property and the visual arts in France is examined from the 16th century through to the French Revolution. The book delves into the origins of privilege legislation, which laid the groundwork for modern copyright and patent laws governing books and inventions. It further investigates how these legal terms were adapted for use in the realm of visual art, highlighting their implications for both legal practice and artistic expression during the early modern period.

The narrative explores the impact of commercially driven laws on the definition of art, particularly how these laws contributed to the eventual distinction between art and industry. This separation is illustrated through the experiences of various artists, from esteemed members of the Academy to lesser-known figures in Grub Street, who found themselves embroiled in intellectual property disputes. Their stories reveal the complexities and challenges faced by artists in navigating the legal landscape of their time.

Moreover, Becoming Property draws parallels to contemporary issues regarding intellectual property in the digital age. As new technologies enable easier reproduction and distribution of art, the lessons learned from historical practices become increasingly relevant. The book encourages readers to reflect on the ongoing significance of intellectual property rights and their influence on the visual arts today.