One Left

"Through this story the author restores a past that has been erased by history and emphasizes the historical memory of what must never be repeated or forgotten."

* Daejon Ilbo *

"[An] exceptional novel… Soom captures the agonizing legacy of a dark chapter from the recent past."

* Booklist *

"The process of directly confronting the comfort women’s hellish experiences is truly painful. However, because the novel is not a product of the author’s imagination but in fact based on historical reality, we cannot turn our heads away. No, we must not."

* Donga Ilbo *

"Though it is fiction, Kim Soom’s novel is steeped in fact. One Left dignifies its subjects as an authentic memorial that makes an indelible mark on history."

* Foreword Reviews *

"It may seem cliché to state that a novel is necessary. But this one really is."

* Asian Review of Books *

"This is a painful, powerful literary indictment of the systemic subjugation of Korean comfortwomen, whose own #MeToo movement has yet to be fully reckoned with, decades after the fact."

* Bookmonger *

"This Korean novel dramatizes, with indelible force, the utter dehumanization of women confined to authoritarian patriarchal imprisonment."

* The Arts Fuse *

"[A] landmark — the first novel dedicated to depicting comfort women, a topic that invokes as much weariness as it does outrage among today’s public. Though a work of fiction, Kim Soom’s story is based on exhaustive research and testimonies given by actual comfort women...By rendering this topic in the form of a novel, Kim injects a new sense of emotional urgency in recognizing these very real and hauntingly painful experiences."

* International Examiner *

"[S]ynthesizes acute personal memories with painful history, straddling the line between fact and fiction. The result is a gut-wrenching narrative."

* Korean Herald *

"All credit then, to author, translators and publisher for bringing this important book to us."

* London Korean Links *

"In their even, experienced hands the translation avoids any temptation toward melodrama or obscenity, especially tricky and crucial given the raw, violent subject at hand... For English readers, one must note commensurate, masterful sensitivity to every word and nuance in the translation."

* Tulsa Studies in Women's Literature (TSWL) *

"[T]he first Korean novel devoted exclusively to the subject of the “comfort women.” In direct opposition to the Japanese government’s efforts to suppress the memory of its sex slave camps, Kim chooses to deploy language like a scalpel, crafting her narrative from the testimonies of dozens of Korean survivors... Granting dignity to the few living survivors is a matter of urgency, as highlighted by the fictional construct of One Left."

* Ploughshares *

"In this a telling of a tragic history from the perspective of one elderly former sex slave who sees herself as “the last one,” Kim revitalizes energy for this irreconcilable injustice in a new generation of readers."

* Korean Quarter