Gothic Architecture and Sexuality in the Circle of Horace Walpole

“Gothic Architecture and Sexuality in the Circle of Horace Walpole is thoroughly researched and wonderfully illustrated; it contributes to the richness of current interest in the histories of interiors, architecture, and design, particularly those that foreground subjective qualities of lived experiences. This is why it is important that Matthew M. Reeve has situated Horace Walpole, his character and personality, at the centre of this study, explaining how Strawberry Hill signifies the summation of his complex, homosocial, and singular life.”

—Helen McCormack Journal of Design History

“Echoing the prodigious propagation of architectural offspring of the book’s subject, it seems clear that Reeve’s deeply researched, critically engaged and massively compelling study of Strawberry Hill will be the progenitor of many fascinating studies to come.”

—Freya Gowrley Art History

“The lavish publication is reflected in the high standard of Reeve’s research. His prose is Daedalian in its eloquence but firmly maintains the threads of coherence sometimes abandoned by scholarly theorists, resulting in a work which is accessible and pleasing for all. The range of subject matter will interest an array of audiences, including medievalists; early modernists; historians of art, architecture, and literature; anthropologists; and queer theorists.”

—Nele De Raedt, Frances Sands, Erin J. Campbell, Vanessa Vanden Berghe Architectural Histories

“In this imaginative, erudite, and lavishly illustrated book, Reeve delineates the connections between style, subjectivity, and sexuality in Horace Walpole’s vision of the Gothic—and as a general matter for the study of visual and material culture—with force, clarity, and nuance. Deeply researched and elegantly written, the book will interest historians of the Middle Ages and of the eighteenth century, art and architectural historians, queer theorists, students of medievalism, and many other readers. It is a stunning achievement of historical imagination and moral eloquence.”

—Whitney Davis, author of Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond

“This book makes a brilliant and substantive contribution to research on eighteenth-century Gothic. In keeping with Walpole’s own interdisciplinary leanings, Reeve cuts through the disciplinary boundaries that have tended to shape previous studies of Walpole and his circle. Rightly, he treats Walpolean Gothic as a thoroughly multimedia enterprise. In so doing, Reeve raises the critical discourse on medievalism and queer aesthetics to a new level of sophistication.”

—Robert Mills, author of Suspended Animation: Pain, Pleasure, and Punishment in Medieval Culture

“Reeve’s book is careful and precise at the same time that it is far-reaching and inspiring! It builds on earlier works with enormous care, and it takes Walpole studies to a new location entirely.”

—George E. Haggerty, author of Gothic Fiction/Gothic Form

“Horace Walpole was an important cultural innovator in both gothic literature and architecture. Although he saw these interests as complementary it has been scholars in literary studies who have most extensively explored his sexual subjectivity. This book is, therefore, a welcome and pioneering study of the queer architectural passions of Walpole and his circle of intimate friends.”

—Dominic Janes, author of Oscar Wilde Prefigured: Queer Fashioning and British Caricature, 1750-1900

“Bridging queer theory, medieval studies, architectural history, and histories of Georgian architecture, Reeve’s compelling interpretation shows that in Walpole’s circle, the Gothic Revival was a sign that alternative masculinities were not merely surviving, but thriving.”

—Ayla Lepine West 86th: A Journal of Decorative Arts, Design History, and Material Culture