Art for Animals

“Cronin’s innovative and compelling study offers powerful insights about cultural production and the evolution of animal advocacy on both sides of the Atlantic. Art for Animals is a welcome contribution to the literature on animal studies and will appeal to students of visual culture, art history, and social movements as well.”

—Amy Nelson, coeditor of Other Animals: Beyond the Human in Russian Culture and History

“A welcome and much-needed addition to the growing literature on animals and art. In particular, Cronin’s book, which is focused on the historical period when the first wave of the animal protection movement emerged, demonstrates the role that visual media played in the development of that movement. But the book is far more than a historical snapshot. Activists’ use of representations of animals—and animal suffering—is just as important (if not more so) in the modern animal rights movement of today. Art for Animals will appeal to anyone with an interest in how people have worked to combat animal abuse in the past, and how they do so today.”

—Margo DeMello, author of Mourning Animals: Rituals and Practices Surrounding Animal Death

“Cronin skillfully weaves together a history of animal advocacy with fascinating primary source images that show the imaginative range of advocacy groups in the United States, Canada, and Great Britain, along with the social resistance that sometimes accompanied these efforts at public education. Humane societies today struggle with showing animal abuse when approaching supporters; Art for Animals provides a timely occasion for further thinking about these visual challenges for both animal studies scholars and advocates.”

—Ann-Janine Morey, author of Picturing Dogs, Seeing Ourselves: Vintage American Photographs

“In this important and unique contribution to the animal advocacy movement, Cronin provides a wealth of images drawn from extensive research in support of her claim that animal advocacy is, and has always been, informed by visual culture. Art for Animals belongs on the shelf of not only anyone with an abiding concern for the role of art and visual culture in the study of human-animal relationships, but anyone who also advocates on behalf of nonhuman animals themselves. I highly recommend this well-researched and compelling book!”

—Jodey Castricano, editor of Animal Subjects: An Ethical Reader in a Posthuman World

“How do images represent an injustice or gesture toward an ideal? Keri Cronin brilliantly answers this question by identifying the key role images play in shaping—and resisting—dominant ideas about animals. Her profound scholarship equips us to recognize the irreplaceable and unique role of visual culture in animal activism. Thanks to Art for Animals, we are better able to understand past activisms and envision future ones.”

—Carol J. Adams, author of The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory

“Not only is [this book] a gold mine of information about art for animals, but so too it shows how important visual representations are for attracting people’s interests in the lives of other animals and for showing what humans need to do to give them the very best lives possible.”

—Marc Bekoff Psychology Today

“Cronin’s book will no doubt be welcomed by readers in animal studies, art history, British and North American history, visual culture studies, and other fields. Her innovative and truly interdisciplinary study reaches across national borders to assemble an impressive archive of animal imagery.”

—Finis Dunaway American Historical Review

“Cronin’s innovative look at art in animal advocacy allows animal studies scholars to rethink human-animal relations from a new perspective and inspires us to consider not only how animals were exploited but also protected in the late nineteenth and early twentieth century.”

—Catherine Paulin Histoire Sociale/Social History

“Cronin’s innovative look at art in animal advocacy allows animal studies scholars to rethink human-animal relations from a new perspective and inspires us to consider not only how animals were exploited but also protected in the late nineteenth and early twentieth century.”

—Catherine Paulin Histoire Sociale/Social History