Poe and the Visual Arts

“Although Poe’s aesthetics and interest in art have long drawn scholarly attention, Barbara Cantalupo’s Poe and the Visual Arts is the first study to approach the subject comprehensively. She convincingly re-creates the art world in which Poe moved in the 1830s and 1840s, and her deep research reveals Poe’s exposure to and knowledge of a wide gallery of artists and paintings; more important, she illuminates how this engagement affected his own art criticism and his use of art in stories such as ‘Ligeia,’ ‘The Fall of the House of Usher,’ ‘Landor’s Cottage,’ and many others. Poe and the Visual Arts tackles an exciting topic, and Cantalupo’s firm grasp of it results in a notable contribution to the study of Poe and nineteenth-century American culture.”

—Matthew C. Brennan, Indiana State University

“Barbara Cantalupo’s admirable study enlarges our sense of Poe, reminding us that the creator of the dreadful House of Usher was also an appreciative critic of painting, and even of gardens and domestic decor. We are led to see Poe as a discriminating lover of beauty in general, and we discover both a greater balance and a richer variety in his literary enterprise.”

—Richard Wilbur

“This study intelligently and comprehensively examines Poe's unique position in the artistic coteries of Philadelphia and Manhattan, where he worked as an editor. Barbara Cantalupo offers a fascinating overview of the paintings and other artworks shown in galleries and art institutions in those cities—works Poe likely viewed and studied. Cantalupo persuasively demonstrates that Poe was an informed and articulate proponent of beauty in its manifold forms, including the beauty embodied in painting. He was, in short, a perceptive and subtle analyst of the visual culture of his time.”

—Kent Ljungquist, Worcester Polytechnic Institute

“Poe and the Visual Arts is an essential addition to the scholarly understanding of Poe’s visual acuity, both in his references to art that enhance the meaning of his stories and in his use of the act of seeing as a component of plot.”

—Amy Golahny Poe Studies

“A superior contribution to Poe scholarship and one of this year’s best books in American literature. . . . Poe and the Visual Arts, impressive in both argument and appearance, belongs on the shelf of every Poe scholar.”

—Michael L. Burduck American Literary Scholarship

“Paints a very detailed picture of the art-world in Poe’s time, providing the reader with a rich background against which many of the tales are revisited.”

—Francie Crebs Transatlantica: Revue d'études américaines