Binding Words

“Binding Words covers a wide territory, temporally and geographically, to show how amulets are embedded in the fabric of medieval European society as both physical and cultural artifacts. The book avoids artificial distinctions between magic and religion, prayer and charm, to show how an amulet can be simultaneously devotional and protective. This contextualized approach is a significant contribution to the field.”

—Karen Jolly, University of Hawaii at Manoa

“Binding Words will become a prized source of information and inspiration for future research on magic, popular culture and text.”

—Bettina Bildhauer Times Literary Supplement

“Don Skemer’s study on medieval textual amulets represent the latest return on what is already proving to be a remarkable profitable investment of scholarly and publishing resources.”

—Steven P. Marrone Catholic Historical Review

“Don Skemer’s book makes a very important contribution to the study of medieval charms. The author offers a new and detailed synthesis about textual amulets and presents new materials based on his own experience of medieval manuscripts and archives. . . . The book is an excellent piece of scholarship and will be an indispensable companion for any research on medieval beliefs.”

—Edina Bozoky Speculum: A Journal of Medieval Studies

“Published as part of Penn State’s ongoing Magic in History series, Don Skemer’s Binding Words provides a thorough and engaging examination of textual amulets in the medieval West—one certain to be well received by specialists and generalists alike.”

—Richard Phillips History of Religions

“[Skemer] has taken an enormous, important, and understudied topic and ranged widely through its history. . . . He buttresses his points with rich footnotes that show the amazing breadth of his erudition. His book will be fundamental for all future work in this field, and hopefully will inspire more work on early modern and antique amulets as well.”

—Michael D. Bailey Magic, Ritual, and Witchcraft

“Although Binding Words presents a focused and extensive examination of a specific magical mechanism used in the later medieval period, the greatest asset of the book rises not only from the multiple aspects of medieval culture that it reveals but also from the many areas of research that it includes. This book would be a useful tool to any scholar of popular culture seeking to look beyond the modern definitions of magic and religion through the study of a particular facet of medieval society.”

—Bridgette Slavin Journal of Religious History