The Renaissance Perfected

“More than simply entertaining the people, these festivals recall . . . the memory of a long lost time that was for us as glorious and memorable as that of Rome.”

—Barna Occhini sidebar

“The Renaissance Perfected is a well-argued and original look at the Italian Fascist appropriation and utilization of the Italian medieval and Renaissance heritage. Lasansky illuminates the functioning and politics of Fascist mass and high culture, architecture, urban design, and tourism. Her treatment of the politics and practices of restoration is superb.”

—Ruth Ben-Ghiat, New York University

“Lasansky stands to substantially enrich the field, opening it up to new questions and changing scholars’ perceptions of the place of antiquity vs. the medieval and Renaissance periods in Fascists’ ‘consciousness’ with respect to architectural design, conservation, archaeology, city planning, and the elaboration of civic rituals such as pseudo-medieval festivals.”

—Mia Fuller, University of California, Berkeley

“Medina Lasansky’s book, The Renaissance Perfected, should be required reading for anyone in Renaissance Studies. Her study of Fascist Italy shows how the regime promoted civic architecture, how it canonized medieval and Renaissance monuments in Tuscany in particular, and how it manipulated popular festivals all in the service of political ideology. Scholars as well as students are still in the grip of this Fascist vision of pre-modern Italy since our textbooks, monographs and lectures fail to take into account the urban redesign, the ‘edited’ monuments, or the ‘invented traditions’ in cities like Siena, Arezzo or San Gimignano.  While Renaissance art history has begun to engage with its origins in nineteenth-century historicism it has yet to grapple with the legacy of Mussolini and Italy’s Fascist period. Lasansky’s book unsettles our basic, cherished assumptions about Renaissance architecture and urbanism. It challenges us to confront the use of the Renaissance in the present as well as in the recent past.”

—Cristelle Baskins, Tufts University

“This is an engaging study whose prime merit lies in pointing the way to future engagements with this topic; it is a beautifully crafted and well-illustrated study whose images are often surprising and sometimes disconcerting. Lasansky’s reinterpretation of the architectural legacy of Italy’s Fascists certainly appeals to Renaissance and contemporary art historians alike.”

—Gabriele Neher The Art Book

“This is an outstanding example of a deconstructivist approach to history. It is sumptuously produced. The text is generously illustrated in color and black-and-white and is followed by acknowledgments, footnotes, bibliography, and index. This book is for anyone with a special interest in Italian culture.”

—J. Quinan Choice

“The Renaissance Perfected is a well-argued and original look at the Italian Fascist appropriation and utilization of the Italian medieval and Renaissance heritage. Lasansky illuminates the functioning and politics of Fascist mass and high culture, architecture, urban design, and tourism. Her treatment of the politics and practices of restoration is superb.”

—Ruth Ben-Gghiat, New York University

“A beautiful book by an architectural historian which will make you think differently about Italian history after reading it. It is an exploration of the ways in which the medieval and early Renaissance Italy beloved by so many of as are, to some extent, a self-conscious creation of the Fascist era. This original book throws a genuinely new light on both the age of Mussolini, and on our understanding of our assumptions about the Renaissance.”

—Longmont History Today Award Citation

“Lasansky’s is the most recent in a line of fairly smart books on the reception of the Renaissance in the nineteenth and twentieth centuries.”

—David E. Baum Renaissance Quarterly

“One hopes that Lasansky’s book stimulates further interest in this fascinating and quite important subset of the reception of the Renaissance in recent times.”

—David E. Baum Renaissance Quarterly

“D. Medina Lasansky’s The Renaissance Perfected: Architecture, Spectacle and Tourism in Fascist Italy displays the rich possibilities of cultural history.”

—Miri Rubin History Today

“This beautifully produced and readable book is full of insight and interest. But the reader of The Renaissance Perfected should be warned: Tuscany will never seem the same.”

—Miri Rubin History Today

“The Renaissance Perfected . . . is a refreshing and original analysis of the Italian Fascist Regime’s appropriation and political exploitation of the medieval and Renaissance past. . . . The Renaissance Perfected is beautifully written and illustrated. Lasansky makes a major contribution to the study of the relationship between the Fascist regime and Italy’s urban landscape. I would recommend this book to anyone interested in the history, art history, or politics of the period.”

—Marlena Hobson Sixteenth Century Journal

“Lasansky’s study enriches our knowledge of how popular images and beliefs became powerful tools in the construction of reality during the Facist ventennio and afterward.”

—Simonetta Falasca-Zamponi Journal of Modern History

“While scholars recognize the ways our perception of the Renaissance was conditioned by nineteenth-century historicism, the same is not true for how this understanding was mediated in the built environment under Fascism. This is where Lasansky makes her greatest contribution. She helps shift attention from modern architecture to a broader perspective encompassing buildings and culture in general.”

—Diane Ghirardo JSAH