Richard E. Norman and Race Filmmaking

Barbara Tepa Lupack author

Format:Paperback

Publisher:Indiana University Press

Published:8th Nov '13

Currently unavailable, and unfortunately no date known when it will be back

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Richard E. Norman and Race Filmmaking cover

Race relations and filmmaking in early 20th-century America

Offers a vibrant portrait of race in early cinema.

In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.

Thoroughly researched and crisply written. . . The first book-length work on Norman, Lupack's monograph clearly delineates the Norman Company's importance . . . [Richard E. Norman and Race Filmmaking's] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking . . . .

* Journal of American History *

Lupack's book provides a wealth of archival information about this vibrant moment in film history . . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.

* Black Came

ISBN: 9780253010643

Dimensions: unknown

Weight: 544g

336 pages