Sentimental Fabulations, Contemporary Chinese Films

This insightful exploration examines the sentimental in contemporary Chinese cinema through the works of nine influential directors, revealing their cultural significance.

In Sentimental Fabulations, Contemporary Chinese Films, Rey Chow delves into the complex notion of the sentimental within the realm of cinema. By examining the works of nine contemporary Chinese directors, including Chen Kaige and Wong Kar-wai, she poses critical questions about how sentimentality can be understood through visual and narrative modes of signification. This exploration is further enriched by an analysis of social interactions and collective imaginations that characterize a culture in transition. Through her lens, Chow seeks to uncover what the sentimental reveals about the fragile foundations of human coexistence amid the forces of globalization.

Chow's approach is multifaceted, addressing themes such as nostalgia, identity, and the everyday experiences of individuals within a rapidly changing society. She argues that the sentimental in contemporary Chinese cinema does not manifest as revolutionary fervor but rather as a negotiation of compromise and endurance. By categorizing these films as sentimental fabulations, Chow emphasizes their role as cultural artifacts that invite viewers to engage in critical thinking about the aesthetic and conceptual dimensions of their narratives.

The book ultimately positions Chinese cinema as a vital site for understanding the interplay of affect, time, and social mores. Chow's insightful analysis not only sheds light on the directors' contributions but also situates their works within a broader discourse of cinematic and cultural evolution. Sentimental Fabulations, Contemporary Chinese Films serves as an essential resource for scholars in literary, cinema, and cultural studies, offering a profound exploration of the sentimental in film.