Killing the Messenger

Killing the Messenger contains some of the most important assessments of modern American journalism. The collection reminds us that many of yesterday's critiques speak to today's issues. -- Theodore L. Glasser, Stanford University A must-read for media mavens, proving the most enduring (and most entertaining) criticism of the press comes from without as often as from within. -- Loren Ghiglione, Northwestern University

A resource for readers who want to experience the media criticism. It includes selections chosen from magazines, journals, official reports, and public speeches and covers a range of issues: the inadequacy of the press to police themselves, the importance of ethics and training, the problem of bias and sensationalism, and the threat of censorship.Killing the Messenger has long been a popular resource for readers eager to experience the best media criticism of the past century. Selections are chosen from magazines, journals, official reports, public speeches, and books that have been long out of print and cover a range of issues: the inadequacy of the press to police themselves, the importance of ethics and training, the problem of bias and sensationalism, and the threat of censorship. Pieces by Theodore Roosevelt, Louis Brandeis, Joseph Pulitzer, Upton Sinclair, Spiro Agnew, George Seldes, and John Hersey, among others, are now joined by A. J. Liebling's early warning of the dangers of media consolidation, Will Irwin's analysis of journalism's growing power and pervasiveness, Daniel P. Moynihan's look at the changing relationship between the press and the presidency in 1971, Robert Darnton's essay on creative license, and Leo C. Rosten's statistical survey of the sociological makeup of newspaper correspondents in 1930s Washington and the effect of a journalist's "psychology" on the character of his reporting. Killing the Messenger serves as a valuable reminder that criticizing the press is an old and invaluable tradition in our country and that many of today's issues have their roots in these fascinating and provocative examples of early criticism.