Blake 2.0

MARK CROSBY Leverhulme Early Career Fellow, Queen's University Belfast, UK KERI DAVIES Visiting Fellow in the School of Arts and Humanities, Nottingham Trent University, UK SHIRLEY DENT Communications Director, Institute of Ideas, UK MARK DOUGLAS Senior Lecturer in Film Studies, University College Falmouth, UK DAVID FALLON British Academy Postdoctoral Research Fellow, St Anne's College, Oxford, UK MATTHEW J.A.GREEN Associate Professor of Modern Literature, School of English Studies, University of Nottingham, UK JAMES KEERY Fred Longworth High School, UK MARK LUSSIER Professor of English, Arizona State University, USA SUSAN MATTHEWS Senior Lecturer in English Literature, Roehampton University, UK PETER OTTO Professor, University of Melbourne, Australia PHILIPPA SIMPSON Assistant Curator, the Tate, UK MEI-YING SUNG Department of History, FoGuang University, Taiwan COLIN TRODD University of Manchester, UK ANGUS WHITEHEAD Assistant Professor of English Literature, Nanyang Technological University, Singapore ROGER WHITSON Marion L. Brittain Postdoctoral Fellow, Georgia Institute of Technology, UK

Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.